B. Wurtz: This Has No Name Institute of Contemporary Arts / Los Angeles
For the past twenty-five years, B. Wurtz has been applying acrylic paint to the bottoms of aluminum pans in order…
!Mediengruppe Bitnik Super Dakota / Brussels
Back in 2015, Super Dakota’s exhibition “.GIF” highlighted the creative and artistic potential of the Graphics Interchange Format, a bitmap…
12th Gwangju Biennale: Imagined Borders
It is no secret that art biennials are at an impasse, given the recurring and vaguely political frameworks associated with…
Movie Night, William J. Simmons
A Certain Inevitability
Oigo el llorido del mar, el respire del aire, my heart surges to the beat of the sea. in the…
The Language of Mud: On Tamara Henderson’s “Womb Life”
At the Centre d’Art Contemporain in Geneva, Tamara Henderson’s kinetic sculptures Sun Spider, Nomad, Sound Shepherd, Language of Mud, and…
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Raphaela Vogel: Son of a Witch Berlinische Galerie / Berlin
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The Main Complaint Zeitz MOCAA / Cape Town
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Taipei Biennial 2018: Post-Nature / A Museum as an Ecosystem
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Kayode Ojo: Equilibrium Martos Gallery / New York
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B. Wurtz: This Has No Name Institute of Contemporary Arts / Los Angeles
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Biennale de l’Image en Mouvement 2018 Centre d’Art Contemporain / Geneva
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Grace Wales Bonner: A Time for New Dreams Serpentine Galleries / London
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Caitlin Keogh The Approach / London
After Leaving, Before Arriving: An interview with the curators of the 12th Kaunas Biennial
For its 12th edition, the Kaunas Biennial considers the journey as a metaphor in the context of the burgeoning cultural…
Forsythe’s Immaculate Choreography
It’s fitting that American dancer, choreographer, and artist William Forsythe — one of the most prolific choreographers of all time,…
artgenève 2019
Upon ascending the escalator of the Palexpo complex, visitors to this edition of artgenève were greeted by a bright sea…
Latest Issues
What You Have, When You Have It. Tiana Reid on Landscape and the Figural in the Sculptures of Tau Lewis
If you Google image “figural,” you’ll see thousands of images of Disney keyring dolls, mostly made of foam. Since abandoning…
Plunging into the Void: Judy Chicago’s Images
I first saw Judy Chicago’s Birth Trinity (1983) and Birth Tear/Tear (1982) when visiting the artist’s studio in Belen, New…
Kayode Ojo: Equilibrium Martos Gallery / New York
In his recent sculpture and photographic works, Kayode Ojo ruminates on the contemporaneous nature of consumer desire and social performativity.…
Raphaela Vogel: Son of a Witch Berlinische Galerie / Berlin
How much control do we really have over who sees us, how, and when? Known for her video sculptures, which…