Franco Mazzucchelli, Champ Lacombe / Biarritz
On April 25 we commemorated Italy’s liberation from more than twenty years of fascism and, on May 1, the struggles…
Blank Spaces. Sung Tieu
Sung Tieu’s installations often appear austere; cold, manufactured surfaces reject the gaze, and the work assumes an almost passive-aggressive bureaucratic…
Karmic Modernism. In Conversation with Elizabeth Englander
It is taken as a maxim of our age that serious art is secular. Like most broad-stroke claims, this one folds when…
Shell Game. In Conversation with Luc Tuymans
Luc Tuymans is smoking a cigarette outside of his studio when I arrive. It’s October 12, 2025 – a Sunday – in Antwerp, and…
Latest Issues
LIKE A DUET. In Conversation with Anne Imhof
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
Tetherings. A Conversation with Mary Stephenson
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…
ORDINARY MIRACLES. A Conversation with Rene Matić
One of the earliest works by Rene Matić is a video that documents their back torso being inscribed with the…
Hysteric Literature. A Conversation with Olivia Kan-Sperling
The questions of literary modernism have always been deeply entwined with those of psychoanalysis: both are concerned with the dissolution…
Between Ruins: Zazou Roddam
I’ve known Zazou Roddam for almost a decade, long before Roddam considered herself an artist or I was curating. For…
Spectral Nomenclature. Anastasia Pavlou
Oh heart, oh heart, blind like daylight — Dionne Brand [1] [1] Dionne Brand, Ossuaries (McClelland & Stewart, 2010), 34. I talk to Anastasia…
353 WINTER 2025–26, Studio Scene
The Space Between. Adam Patrick Grant
Did it matter then, she asked herself, walking toward Bond Street, did it matter that she must inevitably cease completely?…
In Medias Res. Sofia Defino Leiby
I first met Sofia Defino Leiby pre-pandemic, on a bus as part of a crowd, and she mentioned that she…
Zurich: Peripheral Presence.
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Madrid: Hypnotic Laugh Track
“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
Chicago: Model City
“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
Same is More: Parisian Architecture à l’identique
For a century, architecture has been a crippled art — every building that has been built proves it; formal combinations…
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SPRING 2026
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Karmic Modernism. In Conversation with Elizabeth Englander
Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan
The tiniest event can tear a hole. Sara MacKillop
Grapeshot. Nancy Lupo
LIKE A DUET. In Conversation with Anne Imhof
Friend of X. A Conversation with Raque Ford
Shell Game. In Conversation with Luc Tuymans
“Iter Subterraneum” / Bergen Kunsthall, Bergen