Genti Korini A Place in the Sun 61st Venice Biennale, “In Minor Keys”
There is a moment, somewhere in the middle of A Place in the Sun (2026), when the three screens seem to lose all faith…
Role-Casting in the Uncanny Valley. Adam Gordon
“The door of a house was just opened after a month. All of the windows are closed and the plastic blinds are pulled down.…
Margins as Method: Visual Essay by Cairo Dipika
To Cairo Dipika, Jessica Canje and Isha Dipika Walia, photography is both a site of joyful, unadulterated experimentation and a…
Vladislav Markov “LOCATION.LOCATION.LOCATION” / Bernheim Gallery, Zurich
At Bernheim, I feel like I have noclipped into some influencer’s YouTube cooking video haunted by the ghost of human…
Latest Issues
After You. Roni Horn
I. It is easy to start with the eyes. My first encounter with the work of Roni Horn involved an…
The tiniest event can tear a hole. Sara MacKillop
Greetings from January 1, 2026, on actual pen and paper! Sara MacKillop’s practice starts here. But not with the nihilism…
LIKE A DUET. In Conversation with Anne Imhof
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
ORDINARY MIRACLES. A Conversation with Rene Matić
One of the earliest works by Rene Matić is a video that documents their back torso being inscribed with the…
Between Ruins: Zazou Roddam
I’ve known Zazou Roddam for almost a decade, long before Roddam considered herself an artist or I was curating. For…
Spectral Nomenclature. Anastasia Pavlou
Oh heart, oh heart, blind like daylight — Dionne Brand [1] [1] Dionne Brand, Ossuaries (McClelland & Stewart, 2010), 34. I talk to Anastasia…
353 WINTER 2025–26, Studio Scene
The Space Between. Adam Patrick Grant
Did it matter then, she asked herself, walking toward Bond Street, did it matter that she must inevitably cease completely?…
In Medias Res. Sofia Defino Leiby
I first met Sofia Defino Leiby pre-pandemic, on a bus as part of a crowd, and she mentioned that she…
Zurich: Peripheral Presence.
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Madrid: Hypnotic Laugh Track
“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
Chicago: Model City
“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
Same is More: Parisian Architecture à l’identique
For a century, architecture has been a crippled art — every building that has been built proves it; formal combinations…
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SPRING 2026
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Role-Casting in the Uncanny Valley. Adam Gordon
Margins as Method: Visual Essay by Cairo Dipika
Karmic Modernism. In Conversation with Elizabeth Englander
Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan
The tiniest event can tear a hole. Sara MacKillop
Grapeshot. Nancy Lupo
LIKE A DUET. In Conversation with Anne Imhof
Friend of X. A Conversation with Raque Ford