William Scott & Sandra Mujinga Malmö Konsthall
William Scott and Sandra Mujinga’s exhibitions are two separate shows installed together in an open format to allow them to…
“SUPERFUTURES” Selfridges / London
Selfridges and Berlin’s Reference Festival present “SUPERFUTURES”, an immersive exhibition that brings together thirteen experiential spectacles and surreal interventions by…
“Summer of LOVELOVELOVE” Biennale of Moving Images / Beijing
“Summe of LOVELOVELOVE”, the Biennale of Moving Images is the first strategic collaboration between U2 by UCCA and Centre d’arte…
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Heidi Bucher “Metamorphoses I” Kunsthalle Bern
When the word skin is verbalized — to skin — the associations with this outer layer of the body start…
Steve McQueen “Sunshine State” Pirelli HangarBicocca / Milan
It could be that film is the medium of death, even more so than the photograph, whose stasis in a…
“Quiet as It’s Kept” Whitney Biennial 2022 Whitney Museum of American Art / New York
The eightieth iteration of the Whitney Biennial is subtitled “Quiet as It’s Kept,” an expression curator Adrienne Edwards remembers her…
Baseera Khan “I Am an Archive” Brooklyn Museum / New York
The advent and proliferation of technologies that encourage practices of accumulating and storing information has precipitated a contemporary preoccupation with…
A couple of things. Or rather, a cupola things. A conversation with Pope.L
The word “interview” finds its way to the English language from a French relative, s’entrevoir, or “to see each other.”…
Too Much Is the Way
A Monthly Column on The Art of Giving Unrequested Guidance. I had noticed it before, but it was not until…
Poetry is the Original Blockchain. Jesse Damiani speaks to Sasha Stiles about how NFTs are unlocking poetry as a technology
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
It’s Not So Quiet. The Return of Art Basel in June, “Young” Fairs, New Spaces for Exchange, and What’s Most Interesting in the Unexpected Heat of Basel
It seems I am still a long way from regaining a sense of normalcy regarding the passage of time. The…
Multifaceted and Cathartic Experiences in the works of Jónsi and Camille Norment
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
338 SPRING 2022
COVERS ◯ Kayode Ojo, Private Residence, New York (Patek Philippe Nautilus), 2021. C-print in polished aluminum frame. 102.9 × 68.9…
337 WINTER 2021-22
COVER → Ser Serpas, tracing listicle generation toppling, 2021. Found objects, mixed materials. Variable dimensions. Sculptures made for Dora Budor’s exhibition…
336 FALL 2021
COVER → Pamela Rosenkranz, Healer (Waters), 2019. Robot, circuit board control units, battery, LED light, 3-D printed head and tail, kirigami…
335 SUMMER 2021
COVER → Cao Fei, Nova, 2019. Video still. Single-channel HD video 2.35:1, color with 5.1 sound. 110’ 54’’. Courtesy of the artist; Vitamin Creative Space,…