New Museum presents From Black Boxes to Open Systems, a knowledge-sharing initiative

“From Black Boxes to Open Systems” is a knowledge-sharing initiative presented by the New Museum’s digital art affiliate Rhizome. The…
“From Black Boxes to Open Systems” is a knowledge-sharing initiative presented by the New Museum’s digital art affiliate Rhizome. The…
Marc Glimcher, President and CEO of Pace Gallery, today announced the gallery’s plans to open an expanded gallery space in…
ARGOS presents Activating Captions, an online platform and physical window display that critically engages with captioning as a singular artistic…
In recent years, border traffic between contemporary art and new media has done little more than inject periodic shots of…
Shota Nakamura’s latest works are a celebration of abundant, queer rest. Languid men lie prone in all but two of…
Dance Office is a column dedicated to contemporary dance and performance art. Have you ever heard of Valeska Gert? If…
Thirty years of passion and clothes. Street fashion and culture in the 1980s was a vision belonging to the crazy…
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
A response to the environmental cost of crypto art by artists, activists and theorists. “The Uncanny Valley” is Flash Art’s…
COVER → Nora Turato, wow this huge wooden horse is great!, 2020. Performance during the festival “MOVE” at Centre Pompidou, Paris,…
COVER → Liliane Lijn, Lilith, 2001. Patinated bronze, phlogopite mica, gas, brass and stainless steel fittings. 186.5 × 55.5 ×…
COVER → Lynette Yiadom-Boakye, Complication, 2013. Oil on canvas. 78.7 × 98.4 in. Courtesy of the artist; Corvi-Mora, London; and Jack Shainman…
COVERS → Tala Madani, Passage, 2019. Oil on linen. 22 × 16 × 1 in. Tala Madani, Digital Tan, 2020. Oil on linen.…