Open Call is The Shed’s performance program for the summer
Launched as part of The Shed’s inaugural year program, Open Call is a large-scale commissioning program for early-career NYC-based artists.…
Bozar Centre for Fine Arts presents Colliding Epistemes: Science for Art’s sake?
After almost two years of Art & Science residencies, Bozar Centre for Fine Arts (Brussels) presents the artistic results (drawings,…
ifa Gallery’s new central platform ifa Agora makes its art collection accessible to all
ifa—Institut für Auslandsbeziehungen is pleased to announce the new central platform for its network, collection and archive in the field…
Latest Issues
Tina Braegger “Wer wagt mit mir ein Tänzchen, der wird sich verrenken” Neuer Essener Kunstverein / Essen
Imagine a group of dancing bears. Their mighty limbs positioned in similar poses on each frame, their jaws locked in…
Ellen Berkenblit “Other Shapes at Night” Vielmetter / Los Angeles
I didn’t know just what to do So I whispered “I love you” And he said that he loved me…
Lukas Quietzsc “Parallel Warnings in Simple Arrangements” Ramiken / New York
“Parallel Warnings in Simple Arrangements”, Lukas Quietzsc’s exhibition at Ramiken, consists of seven major paintings. Starting from the south wall:…
Anthea Hamilton “Mash Up” M HKA / Antwerp
“Mash Up” is the first major survey exhibition of works by Anthea Hamilton, and is therefore the first opportunity to…
Kayode Ojo “Could you bare your torso?” April 21–July 10 in Venice
On the occasion of the 59th Venice Biennale, Flash Art, Dune and the Iuav University of Venice, present Could you…
Aura Satz: A Complex Marriage of Human and Machine
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
The Art of Unrequested Guidance: The Doctor
When I was in my twenties, my “woman’s doctor” retired and I was assigned to a recently graduated doctor only…
Long Time No See: Trisha Brown’s Set and Reset (1983) at Tate Modern
Dance Office is a column dedicated to contemporary dance and performance art. Collaboration is cocultivation. It’s the merging of two…
Vestigial Trends and Anticipated Futures: Chicago and the Return of the Expo Art Fair
This week marked the return of a live Expo Chicago, which had been on indefinite hiatus like so many other…
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Kenneth Rainin Foundation announces the 2022 recipients of the Rainin Fellowship
Museum of the City of New York announces an open call for NEW YORK NOW: A PHOTOGRAPHY TRIENNIAL
Centro Botín’s open call for the 29th annual Visual Arts Grants
NEW INC announces its Year 9 Open Call
The IKOB Feminist Art Prize 2022 call for entries is open
Tabakalera’s open call in collaboration with Artium Basque Centre and Institute of Artistic Practices—Jardun Artiskoentzako Institutua
In From The Margins, Edinburgh Printmakers’ residency programme to support refugee artists
Independent Curators International calls for applications the 2022 Curatorial Research Fellowships
337 WINTER 2021-22
COVER → Ser Serpas, tracing listicle generation toppling, 2021. Found objects, mixed materials. Variable dimensions. Sculptures made for Dora Budor’s exhibition…
336 FALL 2021
COVER → Pamela Rosenkranz, Healer (Waters), 2019. Robot, circuit board control units, battery, LED light, 3-D printed head and tail, kirigami…
335 SUMMER 2021
COVER → Cao Fei, Nova, 2019. Video still. Single-channel HD video 2.35:1, color with 5.1 sound. 110’ 54’’. Courtesy of the artist; Vitamin Creative Space,…
334 SPRING 2021
COVER → Helen Marten, Water Fidelity (Them), 2018. Detail. 310 × 1.250 × 500 cm. Installation view of “Fixed Sky Situation”…