wet flicks of sound. Jenna Sutela
Like an owner that begins to resemble their dog, we humans have grown closer to our technologically saturated environments. What…
Jester House: Fire and Chaos
Architecture continues to reject its true sentiment. It attempts to act as a savior through the use of modernity, as can be seen in…
In Plain Sight
At its junction with the 10 and the 5 freeways on the southern edge of Boyle Heights, the 101 freeway…
“Body Fragment” The Power Station/ Dallas
On the radio recently, I heard news of an Israeli bombing of an apartment building in Beirut that killed everyone…
Latest Issues
After You. Roni Horn
I. It is easy to start with the eyes. My first encounter with the work of Roni Horn involved an…
Let It Work If It Works. In Conversation with Rose Wylie
David Kohn: We’re here in your studio where you’ve been working for almost sixty years. The paintings are all gone…
Shell Game. In Conversation with Luc Tuymans
Luc Tuymans is smoking a cigarette outside of his studio when I arrive. It’s October 12, 2025 – a Sunday – in Antwerp, and…
LIKE A DUET. In Conversation with Anne Imhof
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
Portrait of Matter: Kaare Ruud
Kaare Ruud’s artistic practice unfolds within interiors and their overlooked margins, where disparate belongings accumulate without clear hierarchies. These materials resist clear interpretive…
Between Ruins: Zazou Roddam
I’ve known Zazou Roddam for almost a decade, long before Roddam considered herself an artist or I was curating. For…
Spectral Nomenclature. Anastasia Pavlou
Oh heart, oh heart, blind like daylight — Dionne Brand [1] [1] Dionne Brand, Ossuaries (McClelland & Stewart, 2010), 34. I talk to Anastasia…
353 WINTER 2025–26, Studio Scene
The Space Between. Adam Patrick Grant
Did it matter then, she asked herself, walking toward Bond Street, did it matter that she must inevitably cease completely?…
Zurich: Peripheral Presence.
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Madrid: Hypnotic Laugh Track
“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
Chicago: Model City
“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
Same is More: Parisian Architecture à l’identique
For a century, architecture has been a crippled art — every building that has been built proves it; formal combinations…
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SPRING 2026
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Portrait of Matter: Kaare Ruud
Role-Casting in the Uncanny Valley. Adam Gordon
Margins as Method: Visual Essay by Cairo Dipika
Karmic Modernism. In Conversation with Elizabeth Englander
Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan
The tiniest event can tear a hole. Sara MacKillop
Grapeshot. Nancy Lupo
LIKE A DUET. In Conversation with Anne Imhof