Everything it is it has*. Thea Djordjadze
*A line from Anne Carson’s poem “The Glass Essay,”in which the Canadian poet and essayist moves through the psychologically resonant…
Territories. Vladislav Markov
It takes at least three people to make a society. Three, then, are also enough to make a secession. The…
Felix Gonzalez-Torres “Sweet Revenge” Museo Reina Sofía/ Madrid
Seamus Heaney begins his “Elegy (For Robert Lowell)” (1977) [1] with an observation that seems pretty self-evident: “The way we’re…
Ostillo Foundation: In Search of Austin
During my long-haul flight to Austin, I found myself reading articles about the city’s famous slogan, “Keep Austin Weird,” which…
Latest Issues
Shell Game. In Conversation with Luc Tuymans
Luc Tuymans is smoking a cigarette outside of his studio when I arrive. It’s October 12, 2025 – a Sunday – in Antwerp, and…
ORDINARY MIRACLES. A Conversation with Rene Matić
One of the earliest works by Rene Matić is a video that documents their back torso being inscribed with the…
Hysteric Literature. A Conversation with Olivia Kan-Sperling
The questions of literary modernism have always been deeply entwined with those of psychoanalysis: both are concerned with the dissolution…
On Language and Kitsch. Tasneem Sarkez
It feels appropriate to approach Tasneem Sarkez’s work through the seed of language. The word, as a manifold concept, laces…
354 SPRING 2026, Features, Unpack / Reveal / Unleash
These Ghosts. Clémentine Bruno
There is, at the heart of Clémentine Bruno’s practice, a question that refuses simplicity: How does one make space for presence…
353 WINTER 2025–26, Unpack / Reveal / Unleash
Afterglow. Siyi Li
Artist Siyi Li prefers to go by only his first name in this text. “Like a pop star,” he muses.…
352 FALL 2025, Unpack / Reveal / Unleash
Eros is a verb. Coco Klockner
In the myth of Eros, the god of love and desire emerged from Chaos in the beginning of life itself…
351 SUMMER 2025, Unpack / Reveal / Unleash
The Conditions that Shape. Sophie Friedman-Pappas
On the Greek island of Tinos, centuries-old dovecotes — white stone towers originally used to harvest pigeon droppings as fertilizer…
Symbol of Service
“Anyone can make a case for the outside.” [1] An entry in fourteen small windows, flanked by two glass revolving…
Xochi-Calli: The Architecture of the Inchoate. Carlos H. Matos
Xochi-Calli is a multisensory, immersive work by Mexican architect-sculptor Carlos H. Matos, set within the woodlands of the Lacasapark Art…
The Architecture of Entrapment. In Conversation with Elizabeth Diller and Ricardo Scofidio
Originally published in Flash Art International no. 188, May–June 1995. Diller + Scofidio is a New York-based collaborative studio involved in cross-disciplinary work…
Let It Work If It Works. In Conversation with Rose Wylie
David Kohn: We’re here in your studio where you’ve been working for almost sixty years. The paintings are all gone…
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FALL 2026
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Territories. Vladislav Markov
Felix Gonzalez-Torres “Sweet Revenge” Museo Reina Sofía/ Madrid
Everything it is it has*. Thea Djordjadze
Nina Porter “Sample Question” Kunstverein in Hamburg
Can’t Get You Out of My Head. In Conversation with Thomas Ruff
“Call Me Gravity” WIELS / Brussels
Augustas Serapinas “Physical Culture” Nottingham Contemporary/ Nottingham