New Museum presents From Black Boxes to Open Systems, a knowledge-sharing initiative
“From Black Boxes to Open Systems” is a knowledge-sharing initiative presented by the New Museum’s digital art affiliate Rhizome. The…
Pace Gallery opens a new space in Seoul
Marc Glimcher, President and CEO of Pace Gallery, today announced the gallery’s plans to open an expanded gallery space in…
ARGOS presents Activating Captions, an online platform that critically engages with captioning
ARGOS presents Activating Captions, an online platform and physical window display that critically engages with captioning as a singular artistic…
Latest Issues
“THE ARTIST IS ONLINE” König Galerie / Berlin + Decentraland
In recent years, border traffic between contemporary art and new media has done little more than inject periodic shots of…
Shota Nakamura “dear moon” Peres Projects / Berlin
Shota Nakamura’s latest works are a celebration of abundant, queer rest. Languid men lie prone in all but two of…
Hallucinating History: Eszter Salamon on Her New Triptych of Films Inspired by the Life and Oeuvre of Weimar Dance Pioneer Valeska Gert
Dance Office is a column dedicated to contemporary dance and performance art. Have you ever heard of Valeska Gert? If…
Thirty Years of Slam Jam: Luca Benini on the Origins and Future of One of the Most Influential Contemporary Street Culture Brands
Thirty years of passion and clothes. Street fashion and culture in the 1980s was a vision belonging to the crazy…
The Memories and Materials of Maryanne Amacher: In Conversation with Amy Cimini and Bill Dietz
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
Episode V. Toward a New Ecology of Crypto Art: A Hybrid Manifesto
A response to the environmental cost of crypto art by artists, activists and theorists. “The Uncanny Valley” is Flash Art’s…
333 WINTER 2020-21
COVER → Nora Turato, wow this huge wooden horse is great!, 2020. Performance during the festival “MOVE” at Centre Pompidou, Paris,…
332 FALL 2020
COVER → Liliane Lijn, Lilith, 2001. Patinated bronze, phlogopite mica, gas, brass and stainless steel fittings. 186.5 × 55.5 ×…
331 Summer Issue 2020
COVER → Lynette Yiadom-Boakye, Complication, 2013. Oil on canvas. 78.7 × 98.4 in. Courtesy of the artist; Corvi-Mora, London; and Jack Shainman…
330 April – May 2020
COVERS → Tala Madani, Passage, 2019. Oil on linen. 22 × 16 × 1 in. Tala Madani, Digital Tan, 2020. Oil on linen.…
