Maren Karlson “LAG” Soft Opening / London
For “LAG” (2026), Maren Karlson has inset fifteen slender paintings into the walls of Soft Opening in London. Positioned horizontally…
It takes at least three people to make a society. Three, then, are also enough to make a secession. The…
For “LAG” (2026), Maren Karlson has inset fifteen slender paintings into the walls of Soft Opening in London. Positioned horizontally…
Seamus Heaney begins his “Elegy (For Robert Lowell)” (1977) [1] with an observation that seems pretty self-evident: “The way we’re…
During my long-haul flight to Austin, I found myself reading articles about the city’s famous slogan, “Keep Austin Weird,” which…
Luc Tuymans is smoking a cigarette outside of his studio when I arrive. It’s October 12, 2025 – a Sunday – in Antwerp, and…
Seeing a painter’s studio always feels intimate. It’s impossible to keep your eyes from darting around. Soaking up the surround. Trying to piece…
*A line from Anne Carson’s poem “The Glass Essay,”in which the Canadian poet and essayist moves through the psychologically resonant…
Thomas Ruff is already on holiday on an island off Italy’s coast when I interview him. When he picks up…
“A trembling dissolution filled the birds — The substance of their being was undone, And they were lost like shade…
One of the earliest works by Rene Matić is a video that documents their back torso being inscribed with the…
I. It is easy to start with the eyes. My first encounter with the work of Roni Horn involved an…
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
“Anyone can make a case for the outside.” [1] An entry in fourteen small windows, flanked by two glass revolving…
Xochi-Calli is a multisensory, immersive work by Mexican architect-sculptor Carlos H. Matos, set within the woodlands of the Lacasapark Art…
Originally published in Flash Art International no. 188, May–June 1995. Diller + Scofidio is a New York-based collaborative studio involved in cross-disciplinary work…
David Kohn: We’re here in your studio where you’ve been working for almost sixty years. The paintings are all gone…
Territories. Vladislav Markov
Felix Gonzalez-Torres “Sweet Revenge” Museo Reina Sofía/ Madrid
Everything it is it has*. Thea Djordjadze
Nina Porter “Sample Question” Kunstverein in Hamburg
Can’t Get You Out of My Head. In Conversation with Thomas Ruff
“Call Me Gravity” WIELS / Brussels
Augustas Serapinas “Physical Culture” Nottingham Contemporary/ Nottingham