The World of Wong Kar Wai, a film retrospective organized by ICA London
Explore the beguiling world of Wong Kar Wai first on Cinema 3. The ICA, in partnership with Janus Films and…
The Sequential, a five independent presentations program by SALT
An outcome of an open dialogue between SALT and artists initiated in 2019, The Sequential features five independent presentations by Barış…
OCAT Shenzhen presents The Curation Workshop II
The Curation Workshop is essentially a creative exhibition whose primary purpose is to promote new curatorial methods and languages. Its…
Latest Issues
Jakub Czyszczoń “Pocket Knife Instead of the Alphabet” Galeria Stereo / Warsaw
One can already be sure that 2020 was a momentous year. However, what part and what kind of history it…
Jesse Wine “Imperfect List” SculptureCenter / New York
For whatever reason, letting our hands turn a chunk of mud into what our imaginations conjure is both cathartic and…
Tarek Atoui “Waters’ Witness” Fridericianum / Kassel
A metallic clamor pulses across an arrangement of marble blocks, steel beams, cables, and handmade musical instruments, before a rustling…
Harold Mendez “Let us gather in a flourishing way” ICA / Los Angeles
What’s there and what’s not there? Harold Mendez’s presentation at the ICA, Los Angeles, is an exploration into the meaning…
Robert Smithson “Primordial Beginnings” Marian Goodman Gallery / Paris
Between 1957 and 1961, Robert Smithson (1938–1973) exhibited works with a stylistic affinity to Abstract Expressionism, which was then mainstream…
Raphael Hefti “Salutary Failures” Kunsthalle Basel
Steven Spielberg’s Jurassic Park (1993), a morality tale about the wonders of technology at the end of the twentieth century,…
Against Passive Seeing: Shaun Leonardo
Exploring issues of race and masculinity, Shaun Leonardo’s multimedia practice exposes and redresses the white supremacist power structures that oppress…
The Legacy of Street Resistance: A conversation with Marinella Senatore
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
Something like Saturn: Michael Clark
Dance Office is a column dedicated to contemporary dance and performance art. In 1984, for the closing minutes of The…
Algorithmic Violence and the Politics of Data: The Work of Mimi Onuoha and Gretchen Andrew
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
Hearing Power: A Conversation with Haig Aivazian
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
332 FALL 2020
COVER → Liliane Lijn, Lilith, 2001. Patinated bronze, phlogopite mica, gas, brass and stainless steel fittings. 186.5 × 55.5 ×…
331 Summer Issue 2020
COVER → Lynette Yiadom-Boakye, Complication, 2013. Oil on canvas. 78.7 × 98.4 in. Courtesy of the artist; Corvi-Mora, London; and Jack Shainman…
330 April – May 2020
COVERS → Tala Madani, Passage, 2019. Oil on linen. 22 × 16 × 1 in. Tala Madani, Digital Tan, 2020. Oil on linen.…
329 February – March 2020
COVER → Special project for Flash Art: Maurizio Cattelan, LARRY, 2019. Collage. Photography by Paige Powell. ON VIEW → International exhibitions…