Oslo: Holding Ground
The entrance to Oslo’s newly rebuilt government quarter opens onto a wide public square. Part of it is an eight-hundred-square-meter…
An Opera for Rebellious Currents. Lap-See Lam
In Lap-See Lam’s works, her personal memory meets the tide of history like two opposing currents, their collision throwing up…
Reality and Simulation. Tobias Bradford at Our Legacy, Tokyo
Tokyo is a city of fascinating contradictions. Ancient traditions coexist with technological fantasies; the handmade sits alongside the artificial, while…
356 FALL 2026, Unpack / Reveal / Unleash
Like a River Runs. Armineh Negahdari
Paper occupies a peculiar place in the history of art. It is among the most fragile supports, yet also one…
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Shell Game. In Conversation with Luc Tuymans
Luc Tuymans is smoking a cigarette outside of his studio when I arrive. It’s October 12, 2025 – a Sunday – in Antwerp, and…
A Mirror, Darkly. In Conversation with Michaël Borremans
Seeing a painter’s studio always feels intimate. It’s impossible to keep your eyes from darting around. Soaking up the surround. Trying to piece…
Everything it is it has*. Thea Djordjadze
*A line from Anne Carson’s poem “The Glass Essay,”in which the Canadian poet and essayist moves through the psychologically resonant…
Can’t Get You Out of My Head. In Conversation with Thomas Ruff
Thomas Ruff is already on holiday on an island off Italy’s coast when I interview him. When he picks up…
Taking Flight. Lotus L. Kang
“A trembling dissolution filled the birds — The substance of their being was undone, And they were lost like shade…
ORDINARY MIRACLES. A Conversation with Rene Matić
One of the earliest works by Rene Matić is a video that documents their back torso being inscribed with the…
After You. Roni Horn
I. It is easy to start with the eyes. My first encounter with the work of Roni Horn involved an…
LIKE A DUET. In Conversation with Anne Imhof
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
Symbol of Service
“Anyone can make a case for the outside.” [1] An entry in fourteen small windows, flanked by two glass revolving…
Xochi-Calli: The Architecture of the Inchoate. Carlos H. Matos
Xochi-Calli is a multisensory, immersive work by Mexican architect-sculptor Carlos H. Matos, set within the woodlands of the Lacasapark Art…
The Architecture of Entrapment. In Conversation with Elizabeth Diller and Ricardo Scofidio
Originally published in Flash Art International no. 188, May–June 1995. Diller + Scofidio is a New York-based collaborative studio involved in cross-disciplinary work…
Let It Work If It Works. In Conversation with Rose Wylie
David Kohn: We’re here in your studio where you’ve been working for almost sixty years. The paintings are all gone…
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An Opera for Rebellious Currents. Lap-See Lam
Oslo: Holding Ground
Like a River Runs. Armineh Negahdari
Miriam Cahn “Ciò che mi guarda” MACRO – Museum of Contemporary Art of Rome
Frida Orupabo “Cloud of Confusion” MAC/CCB – Museu de Arte Contemporânea e Centro de Arquitetura, Lisbon
Life = Porridge. Tolia Astakhishvili
“After Steps Through Work. Fendi / Karl Lagerfeld 1985” GNAMC – Galleria Nazionale d’Arte Moderna e Contemporanea, Rome
Consider the Sauce Art. In Conversation with Ewa Poniatowska