Art Genève 2026: A Fair with its Own Identity
Art Genève opened the international art fair calendar for 2026 with its 14th edition. The format remained largely unchanged, with…
A review within a play. Play by Josiane M.H. Pozi and Emily Pozi
“UNITED KINGDOM LONDON. PORTRAIT O.A.Y.G.” by Josiane M.H. Pozi at Carlos/ Ishikawa captures scenes of personal artifact, of ordered clutter;…
Accumulation. Ruofan Chen
In October 2023, Ruofan Chen spent a cold October north of the arctic circle at a residency in Fleinvær, a…
353 WINTER 2025–26, Unpack / Reveal / Unleash
Afterglow. Siyi Li
Artist Siyi Li prefers to go by only his first name in this text. “Like a pop star,” he muses.…
Latest Issues
Between Ruins: Zazou Roddam
I’ve known Zazou Roddam for almost a decade, long before Roddam considered herself an artist or I was curating. For…
Spectral Nomenclature. Anastasia Pavlou
Oh heart, oh heart, blind like daylight — Dionne Brand [1] [1] Dionne Brand, Ossuaries (McClelland & Stewart, 2010), 34. I talk to Anastasia…
353 WINTER 2025–26, Studio Scene
The Space Between. Adam Patrick Grant
Did it matter then, she asked herself, walking toward Bond Street, did it matter that she must inevitably cease completely?…
In Medias Res. Sofia Defino Leiby
I first met Sofia Defino Leiby pre-pandemic, on a bus as part of a crowd, and she mentioned that she…
Zurich: Peripheral Presence.
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Madrid: Hypnotic Laugh Track
“It did what all ads are supposed to do: create an anxiety relievable by purchase.” – David Foster Wallace, Infinite…
Chicago: Model City
“You see the eastern critics and historians that assigned Chicago the place of the skeleton frame, thereby, you know, together…
Same is More: Parisian Architecture à l’identique
For a century, architecture has been a crippled art — every building that has been built proves it; formal combinations…
Features, VOLUMES - Crisis Formalism
Who Are These People? A Conversation with Kai Althoff
Carlo Antonelli: Who are these people, the ones that populates your works? Kai Althoff: They accumulate. Some return more often…
Total Warfare. A Conversation with Luigi Alberto Cippini
Michael Abel: First question — how does Volumes begin? Luigi Alberto Cippini: What I tried to do, within my limitations, was to make something…
Features, VOLUMES - Crisis Formalism
Participatory Design or Processual Formalism? Frei Otto, the Ökohaus, and the Ökohäusler
My first, fleeting encounter with the Ökohaus (Eco-House) project came during an all too brief visit to Berlin in November…
Are All Crises Equal? A Conversation with MOS’s Michael Meredith and Hilary Sample
Michael Abel: Currently, the prevailing mindset within the field of architecture centers on crises. But there is a noticeable disconnect between…
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WINTER 2025-26
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A review within a play. Play by Josiane M.H. Pozi and Emily Pozi
Afterglow. Siyi Li
Accumulation. Ruofan Chen
Cyprien Gaillard, “Wassermusik” / Haus der Kunst, Munich
Hysteric Literature. A Conversation with Olivia Kan-Sperling
Gerhard Richter / Fondation Louis Vuitton, Paris
Briefly Witnessing the Impossible. A Conversation with Megan Mi-Ai Lee
A Painting That Says No . Olivia van Kuiken