Nina Chanel Abney “Big Butch Energy” ICA Miami
“Big Butch Energy” features a new installation by Nina Chanel Abney, whose works in painting and collage use dynamic color…
Elaine Cameron-Weir “Exploded View / Dressing for Windows” Hannah Hoffman / Los Angeles
In her artistic practice, Elaine Cameron-Weir questions the individual and collective conditions that shape our perceptions of the world. Her…
Vivian Caccuri and Miles Greenberg “The Shadow of Spring” New Museum / New York
“The Shadow of Spring” investigates the phenomenon of vibration and how it is capable of generating collective transformative experiences. Featuring…
Latest Issues
Expanded Verticality: The Perception of Vulnerability in the Work of Margherita Raso
My first meeting with Margherita Raso was in 2016, over breakfast. It was before her solo show “Piercing” (2017) in…
Cinzia Ruggeri: Obstinate Boots
I encounter Cinzia Ruggeri’s Colombra (1997) in an exhibition curated by Melanie Ohnemus in Vienna and I am sent into…
On the Violent Absurdity of Borders: Lawrence Abu Hamdan’s 45th Parallel
In the year 2000, not long after the Good Friday peace agreement,1 the Irish artist John Byrne opened the Border…
Counter-stances and refusal. A Conversation with Deborah-Joyce Holman
One could easily describe Deborah-Joyce Holman as an “inter-” or “multidisciplinary artist,” though the term merely suggests someone who works…
Episode XVII. How Trevor Paglen Sees the World
Following the opening of “Slip.Stream.Slip: Resistance and Velocity in Game Engine Culture” at Modal, Manchester, Valentino Catricalà asks one of…
340 FALL 2022
COVER → Tenant of Culture from Dry Fit (Series) Green, 2022. Detail. Recycled outerwear and sportswear, elastic, toggles, buckles, thread,…
339 SUMMER 2022
COVERS ◯ Louisa Gagliardi, Hot Threads, 2020. Gel medium, enamel, ink on PVC. 60 × 105 cm. Courtesy of the…
338 SPRING 2022
COVERS ◯ Kayode Ojo, Private Residence, New York (Patek Philippe Nautilus), 2021. C-print in polished aluminum frame. 102.9 × 68.9…
337 WINTER 2021-22
COVER → Ser Serpas, tracing listicle generation toppling, 2021. Found objects, mixed materials. Variable dimensions. Sculptures made for Dora Budor’s exhibition…