Luma Arles presents “It’s Urgent!,” a project curated by Hans Ulrich Obrist
“It’s Urgent!” is a project curated by Hans-Ulrich Obrist, which began in 2019 in Denmark. During the elections for the…
District Berlin presents Poetic Battles: Let our weapons be our words*
Texts preserve unheard story(s). What traces have anti-discriminatory struggles left in the literature of the immigration country Germany? Writing is…
The Walker Art Center publishes Living collections catalogue: Creative Black Music at the Walker: Selections from the Archives
The Walker Art Center announces the launch of Creative Black Music at the Walker: Selections from the Archives, the fourth…
ZKM – Center for Art and Media Karlsruhe presents BEYOND Symposium: FUTURE DESIGN
“Future Design” is a worldwide unique and radical approach that aims at critically reflecting upon our current state of knowledge…
Sean Sullivan “Elegysome” Feuilleton / Los Angeles
“Elegysome” at Feuilleton is Hudson Valley–based artist Sean Sullivan’s first solo exhibition in Los Angeles, marking a quiet yet powerful…
Isa Melsheimer “Der unerfreuliche Zustand der Textur” KINDL – Centre for Contemporary Art / Berlin
This solo exhibition by Isa Melsheimer is also KINDL’s first show under new artistic director Kathrin Becker, who joined the…
Billy Childish “Wolves, Sunsets, and the Self” Lehmann Maupin / Seoul
Billy Childish, whose works were exhibited in Seoul Hyundai Gallery for the first time in 2012, has now mounted a…
Latest Issues
Video in/as Public Space #2: case study of Sistema floreale di videosorveglianza (2016) by Gec Art, via Corio 178, Torino
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
The 11th Berlin Biennale for Contemporary Art announces the participants for its 2020 edition
The 11th Berlin Biennale for Contemporary Art announces the participants for its 2020 edition. Since September 2019, the 11th Berlin…
Lakuti & Tama Sumo announce Uzuri Recordings Retrospective Charity Compilation
Lakuti & Tama Sumo have compiled Uzuri Recordings Retrospective Charity Compilation a retrospective compilation comprising of Lakuti’s Uzuri Recordings. The…
Performa presents Bodybuilding, a Radical Broadcast Online Exhibition of Architecture and Performance
Performa presents “Bodybuilding“, a free online exhibition that examines the use of live performance by architects and charts a multigenerational…
The first Tallinn Biennial opens in July
The first Tallinn Biennial kicks off on July 2nd and aims to fill the gap, geographically and institutionally, between the…
Aliveness: Technologies of Gathering in Times of COVID
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
“Will we lose the memory of what it meant to go to the theatre?” Reflections on Spring Forward 2020 #TheShowMustGoOnline
Dance Office is a column dedicated to contemporary dance and performance art. Mark Twain said that “there is no such…
Public Art as an Open-Access Structure of Knowledge Production
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
A History of The Unrealised / Part I
A column conceived by Hans Ulrich Obrist on his “unrealized projects”. Spanning from exhibitions to publications, from recordings to interviews,…
Keeping it Alive: Oscar Murillo
Who better to interrogate the inherited habits of modernism, in so far as they continue to shape painting, than Oscar…
Emily Mae Smith: A Broom of One’s Own
Fresh, febrile, shot through with humor and glamour, the paintings of Emily Mae Smith are reliquaries of art history and…
Jana Euler: Contextual Painting in Times of Global Groundlessness
As much as an apt consideration about painting today would have been a welcome opening, there is an elephant in…
Invulnerable Vulnerabilities: Life and Art in the Time of the Virus
Nathaniel Mellors: We should talk about some of your work and the exhibition you’re working on for the museum. Tala…
330 April – May 2020
COVERS → Tala Madani, Passage, 2019. Oil on linen. 22 × 16 × 1 in. Tala Madani, Digital Tan, 2020. Oil on linen.…
329 February – March 2020
COVER → Special project for Flash Art: Maurizio Cattelan, LARRY, 2019. Collage. Photography by Paige Powell. ON VIEW → International exhibitions…
328 November 2019 – January 2020
COVER → Rebecca Horn, Paradise Widow, 1975. Photography by Rebecca Horn. © 2019 Rebecca Horn by SIAE 2019. ON VIEW →…
327 September – October 2019
COVER → Luke Willis Thompson, Drawing for adjacency (image for Flash Art), 2019. Mixed media. Courtesy of the artist. ON VIEW → International…