Michelle Handelman’s video exhibition “These Unruly and Ungovernable Selves” opens today through signs and symbols’ website. These Unruly and Ungovernable…
The 10th Bucharest Biennale (Bucharest International Biennial for Contemporary Art), generated by Pavilion – journal for politics and culture &…
Art in the Age of Black Girl Magic started off as a short course held at Tate to reflect on…
Since most of the Sun & Sea 2020 tour has been postponed, the opera performance by Rugilė Barzdžiukaitė, Vaiva Grainytė…
The first institutional solo show of Los Angeles–based artist Ann Greene Kelly is marked by a cryptic atmosphere. The exhibition…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
It is not concept but harmony that makes Kris Martin’s work compelling. Where ideas fall short, material and language come…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Fresh, febrile, shot through with humor and glamour, the paintings of Emily Mae Smith are reliquaries of art history and…
As much as an apt consideration about painting today would have been a welcome opening, there is an elephant in…
Nathaniel Mellors: We should talk about some of your work and the exhibition you’re working on for the museum. Tala…
Dance Office is a column dedicated to contemporary dance and performance art. Having toured extensively around the UK and Europe…
Dance Office is a column dedicated to contemporary dance and performance art. “X6 Dance Space (1976–80): Liberation Notes” at London’s…
Dance Office is a column dedicated to contemporary dance and performance art. One year ago, I was an intern at…
Dance Office is a column dedicated to contemporary dance and performance art. “Dance, dance, or else we are lost.” So…
osloBIENNALEN FIRST EDITION launches Public Sounds, a selection of encounters with art in public space and the public sphere. With…
Camden Art Centre announces the launch of a new strand of podcast programming, Camden Art Audio, which will expand on…
Kitchen Broadcast is a new livestream performance series taking place every Tuesday and Thursday at 6pm EDT on The Kitchen’s…
In the context of on-going uncertainty –a condition familiar to minority communities, though now made even more palpable to themselves…
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
A column conceived by Hans Ulrich Obrist on his “unrealized projects”. Spanning from exhibitions to publications, from recordings to interviews,…
Sean Landers’s scrawl is the way into his peppery worldview: his forty-painting retrospective at Le Consortium often doubles as a…
“MECARÕ. Amazonia in the Petitgas Collection” at MO.CO. is the first institutional presentation of Catherine Petitgas’s collection. Forward-looking and versatile,…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Anyone who spends time with young artists is familiar with the changes they experience during their first years working. This…
Mental Escape is a series of live interviews exploring how the art world responds to today’s challenges. Livestreamed from Flash…
Mental Escape is a series of live interviews exploring how the art world responds to today’s challenges. Livestreamed from Flash…
Mental Escape is a series of live interviews exploring how the art world responds to today’s challenges. Livestreamed from Flash…
Mental Escape is a series of live interviews exploring how the art world responds to today’s challenges. Live-streamed from Flash…
“Today is the First Day” is Wolfgang Tillmans’s first monographic exhibition in Belgium. With works covering a period from the…
ON VIEW is a printed and an online section in which Flash Art invites prominent figures of the art world…
Take the song “Honey Pie” by the Beatles and turn it into a string quartet — that would be the…
It’s no small feat that the recently appointed director of the Kunsthall Trondheim, Stefanie Hessler, lured one of the most…
By the end of last year, ecosystems around the world were on fire, and so were many of the old-growth…
“Blueprints” at the Serpentine was the last show I saw before the entire world went home to flatten the COVID-19…
As an individual accustomed to lengthy physical encounters when appraising exhibitions, my first attempt to write a review relying…
An alarm is sounding in the art world, and it’s become increasingly deafening. The wails of this siren are not…
To realize her site-specific installation at House of Gaga, Laura Owens locked herself up in the gallery with her assistants…
This show, conceived by Nick Mauss, opens — coherently — upon a threshold. A succession of flats commences, the first…
Wild lilies, sand, sourdough bread, tuna cans, gold, eye shadow, desert dirt: these are among the distinctive materials that Rochelle…
Frida Orupabo’s imagery is both archival and personal — blurring the line between the two, if such a division exists.…
Six hours before President Macron ordered the closing of every nursery, school, and university in France, in an attempt to…
If the stark, ascetic coda of Cerith Wyn Evans’s sculptures disintegrates under anything it is the sensuality of optics. Diluting…
Abstract painting has a long history in Sweden. Indeed, modern abstraction may have been first manifested in the painting of…
Recently, the life and work of Vivian Suter has been afforded an almost mythic quality. Born in Buenos Aires and…
Benjamin Piekut / Associate Professor of Music at Cornell University, New York
Alaina Claire Feldman / Director and Curator at Mishkin Gallery, City University of New York
Annie Fletcher / Director of IMMA – Irish Museum of Modern Art, Dublin
Nicolas Trembley / Director of the Syz Collection, Switzerland
Elsy Lahner / Curator of the Albertina Museum, Vienna
Simon Castets / Director of the Swiss Institute, New York
Heike Munder / Director of Migros Museum für Gegenwartskunst, Zurich
Chus Martinez / Head of the Institut FHNW, Basel and expedition leader of The Current, TBA21–Academy
Barbara Kruger’s work has come to represent a host of negative affects for art historians and critics, and it is…
Olivia Erlanger politely asks me to hold the call while she scrolls diligently through her screen cap folder. The lengthy…
Maurizio Cattelan: You produce desire for your audience: How do you generate it? What moves desire? Virgil Abloh: In general,…
“And yet there is a sense in which the painter also creates a bed? Yes, he said, but not a…
Patrick Staff Discusses “On Venus” at the Serpentine Galleries / London
Cross-Species Communication and Bio-Sensing Art of the 1970s and 80s: A Conversation with Richard Lowenberg
Anastasia Mityukova’s Project Iceworm
To Follow or To Fall. A conversation with Otobong Nkanga
On Failure, Decay, and New Forms of Responsibility. A Conversation with Ibrahim Mahama
SCCA – The Savannah Centre for Contemporary Art, Tamale (Ghana). An Interview with Bernard Akoi-Jackson
Laurent Grasso Galerie Perrotin / Paris
Cole Lu: Animal Fancy
COVER → Special project for Flash Art: Maurizio Cattelan, LARRY, 2019. Collage. Photography by Paige Powell. ON VIEW → International exhibitions…
COVER → Rebecca Horn, Paradise Widow, 1975. Photography by Rebecca Horn. © 2019 Rebecca Horn by SIAE 2019. ON VIEW →…
COVER → Luke Willis Thompson, Drawing for adjacency (image for Flash Art), 2019. Mixed media. Courtesy of the artist. ON VIEW → International…
COVER → “Hybridization, Coactivity, Non-Human agency and Otherness resemblances.” Cover design: Wrong Studio, 2019. ON VIEW → International exhibitions selected by ◯…
