Georgia Gardner Gray “NDE” Sadie Coles HQ / London
This September, Georgia Gardner Gray presents “NDE”, an exhibition of new works, spanning painting, sculpture and theatre – marking her…
Kristi Cavataro Ramiken Crucible / New York
Let’s chew on this mouth full of glass. Cavataro’s medieval system of construction takes up the traditional flat panel of…
Hadi Fallahpisheh “As Free As Birds” Goldsmiths CCA / London
Working across painting, photography, ceramics, sculpture, performance and installation, Hadi Fallahpisheh weaves a narrative that is part-allegory, part-fable. A recurring…
Latest Issues
Keren Cytter “Bad Words” Ludwig Forum für Internationale Kunst / Aachen
Ooh, we know some bad words, don’t we? We don’t get to know exactly which bad words the artist is…
Danielle Orchard “Page Turner” Perrotin / Paris
“There’s a lot of reciprocity between my lived life and my painting life,” Danielle Orchard notes, surveying her canvases at…
“Still Present!” 12th Berlin Biennale for Contemporary Art
Kader Attia, the artist who co-directed this year’s edition of the Berlin Biennale, has placed repair as a strategy at…
Liz Larner “below above” Kunsthalle Zurich
On a clear moonless night, looking out from the shore, the horizon might disappear and the two great physical voids…
A Conversation with Alice Rekab about “Family Lines” at Douglas Hyde Gallery in Dublin
Enlarged images from books, personal photographs, precarious structures in various states, platforms, knotted clay ropes, an array of meshed objects…
A couple of things. Or rather, a cupola things. A conversation with Pope.L
The word “interview” finds its way to the English language from a French relative, s’entrevoir, or “to see each other.”…
Too Much Is the Way
A Monthly Column on The Art of Giving Unrequested Guidance. I had noticed it before, but it was not until…
Poetry is the Original Blockchain. Jesse Damiani speaks to Sasha Stiles about how NFTs are unlocking poetry as a technology
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
339 SUMMER 2022
COVERS ◯ Louisa Gagliardi, Hot Threads, 2020. Gel medium, enamel, ink on PVC. 60 × 105 cm. Courtesy of the…
338 SPRING 2022
COVERS ◯ Kayode Ojo, Private Residence, New York (Patek Philippe Nautilus), 2021. C-print in polished aluminum frame. 102.9 × 68.9…
337 WINTER 2021-22
COVER → Ser Serpas, tracing listicle generation toppling, 2021. Found objects, mixed materials. Variable dimensions. Sculptures made for Dora Budor’s exhibition…
336 FALL 2021
COVER → Pamela Rosenkranz, Healer (Waters), 2019. Robot, circuit board control units, battery, LED light, 3-D printed head and tail, kirigami…