The Renaissance Society launches Renaissance TV
Each year the Renaissance Society hosts a fundraising event that plays an essential role in supporting the coming year of…
Swiss Institute presents a newly commissioned lecture by Samia Henni
On the occasion of Haunted Haus, Swiss Institute is pleased to present a newly commissioned lecture by historian, educator and…
Transcendent Waves , a book by Lavender Suarez
Transcendent Waves is the debut book from healing practitioner, meditation teacher, and artist Lavender Suarez, out Dec. 15th via Anthology Editions. Transcendent Waves is…
Lawrence Lek announces the release of AIDOL 爱道 (OST)
Lawrence is a simulation artist who uses computer-generated animation and video game engines to create films and virtual worlds that…
Liliane Lijn: Reinventing the Archetype
Shall we begin at the beginning? Or, to be more precise, The Beginning (1959)? One of the earliest recorded works…
Desiring Machines: The Exhibition as Automaton in Philippe Parreno’s Work
Every night during the summer of 1993, artificial fireflies automatically lit up the garden at the Villa Arson, Nice. But…
Questionnaire. The Kitchen’s new residency programs: Autumn Knight and Baseera Khan
As part of an ongoing effort to probe contemporary curatorial practices, Flash Art reached out to one of New York…
Latest Issues
Josef Strau “Spirits and Objects… and How Non-Productive Love Is Sometimes Contained in Them…” Kunstverein für die Rheinlande und Westfalen / Düsseldorf
In Josef Strau’s production one glimpses, in filigree, a laborious and jittery tectonic adjustment, a balancing act between — to…
Megan Marrin “Convalescence” Queer Thoughts / New York
Hollywood often portrays sanatoriums as cold, clinical places — just think of One Flew Over the Cuckoo’s Nest or, more…
Alexandra Bircken “2020” Herald St. / London
Alexandra Bircken’s sculpture manifests from abundance: bronze, branch, thread, wax, steel, motorcycle, with equally diverse treatments: woven, stretched, dissected, dissevered,…
“Leviathan: the Paljassaare Chapter” Kai Art Center / Tallin
Paljassaare means “naked island.” The peninsula visible across the water from Kai was called that because there used to be…
The Firewall Next Time: Belief, Power, and AI
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
Circling The Square: art and inequality, taken seriously
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
Divining Future Movements: Where Do We Go from Here?
Dance Office is a column dedicated to contemporary dance and performance art. “I want a dance where a body moves…
Diabolical Sound: A Conversation with Nikita Gale
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
Long Dark Night of the Toile: Margiela’s Gothic Co-Ed SS21
Uncertain times. Strange and difficult times. You can’t get an email these days without some similar variation of this phrase,…
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EDU ALERT
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The Museum of Cycladic Art presents Takis, the exhibition catalogue available for free online
Rapid Response Webinars, a series of webinars by CIMAM
Call for Projects: Lemaniana, reflections on other scenes
Open call for paid opportunity: Online Movement Workshop for the Queer Caribbean Diaspora
Colección SOLO and Powland Network award inaugural international prize for sound art
Call for Applications: IA Current Curator
apexart presents the new program for 2021-2022
Open call: A.I.R. Fellowship Program
331 Summer Issue 2020
COVER → Lynette Yiadom-Boakye, Complication, 2013. Oil on canvas. 78.7 × 98.4 in. Courtesy of the artist; Corvi-Mora, London; and Jack Shainman…
330 April – May 2020
COVERS → Tala Madani, Passage, 2019. Oil on linen. 22 × 16 × 1 in. Tala Madani, Digital Tan, 2020. Oil on linen.…
329 February – March 2020
COVER → Special project for Flash Art: Maurizio Cattelan, LARRY, 2019. Collage. Photography by Paige Powell. ON VIEW → International exhibitions…
328 November 2019 – January 2020
COVER → Rebecca Horn, Paradise Widow, 1975. Photography by Rebecca Horn. © 2019 Rebecca Horn by SIAE 2019. ON VIEW →…
