Portrait of Matter: Kaare Ruud
Kaare Ruud’s artistic practice unfolds within interiors and their overlooked margins, where disparate belongings accumulate without clear hierarchies. These materials resist clear interpretive…
354 SPRING 2026
Role-Casting in the Uncanny Valley. Adam Gordon
“The door of a house was just opened after a month. All of the windows are closed and the plastic blinds are pulled down.…
Margins as Method: Visual Essay by Cairo Dipika
To Cairo Dipika, Jessica Canje and Isha Dipika Walia, photography is both a site of joyful, unadulterated experimentation and a…
Karmic Modernism. In Conversation with Elizabeth Englander
It is taken as a maxim of our age that serious art is secular. Like most broad-stroke claims, this one folds when…
Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan
When you go underwater, space takes on a different density: light is absorbed and refracted, vision becomes blurred, objects appear…
The tiniest event can tear a hole. Sara MacKillop
Greetings from January 1, 2026, on actual pen and paper! Sara MacKillop’s practice starts here. But not with the nihilism…
Grapeshot. Nancy Lupo
Nancy Lupo’s forthcoming exhibition “Meow Meow Real Estate” at the Nicoletta Fiorucci Foundation’s London location inside of a Chelsea townhouse…
LIKE A DUET. In Conversation with Anne Imhof
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
Friend of X. A Conversation with Raque Ford
Raque Ford’s recent projects treat language as a pop refrain inflected with drag, residue, and feedback. Her texts get tested:…
Shell Game. In Conversation with Luc Tuymans
Luc Tuymans is smoking a cigarette outside of his studio when I arrive. It’s October 12, 2025 – a Sunday – in Antwerp, and…
“Iter Subterraneum” / Bergen Kunsthall, Bergen
We have heard the story before: a person descends through a hole in the earth and enters a hidden world.…
These Ghosts. Clémentine Bruno
There is, at the heart of Clémentine Bruno’s practice, a question that refuses simplicity: How does one make space for presence…
Glenn Ligon “late at night, early in the morning, at noon” / Hauser & Wirth, New York
One enters the sequence of galleries at Hauser & Wirth on 18th Street, New York, with an initial expectation of an intellectually…
What Did Happen or What Might Have Happened or What Can Never Happen. Dustin Hodges
In the HBO series The Leftovers (2014–17), two percent of the world’s population vanishes without warning or explanation. The event,…
Nat Faulkner “Strong water” Camden Art Centre / London
The peppered moth was once almost entirely pale, flecked with minute dark spots that camouflaged it against lichen tree bark and stone.…
Tetherings. A Conversation with Mary Stephenson
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…