Grapeshot. Nancy Lupo
Nancy Lupo’s forthcoming exhibition “Meow Meow Real Estate” at the Nicoletta Fiorucci Foundation’s London location inside of a Chelsea townhouse…
Features
LIKE A DUET. In Conversation with Anne Imhof
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
Friend of X. A Conversation with Raque Ford
Raque Ford’s recent projects treat language as a pop refrain inflected with drag, residue, and feedback. Her texts get tested:…
These Ghosts. Clémentine Bruno
There is, at the heart of Clémentine Bruno’s practice, a question that refuses simplicity: How does one make space for presence…
What Did Happen or What Might Have Happened or What Can Never Happen. Dustin Hodges
In the HBO series The Leftovers (2014–17), two percent of the world’s population vanishes without warning or explanation. The event,…
Nat Faulkner “Strong water” Camden Art Centre / London
The peppered moth was once almost entirely pale, flecked with minute dark spots that camouflaged it against lichen tree bark and stone.…
Tetherings. A Conversation with Mary Stephenson
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…
No Romance. Gili Tal
Throughout my conversation with Gili Tal, freshly landed back in London after opening her solo exhibition “Soft and Bouncy” (2026)…
ORDINARY MIRACLES. A Conversation with Rene Matić
One of the earliest works by Rene Matić is a video that documents their back torso being inscribed with the…
Tongue River Theory. davi de jesus do nascimento
davi makes me believe I no longer know how to write. When I read his recent writings[1] and talked to…
A review within a play. Play by Josiane M.H. Pozi and Emily Pozi
“UNITED KINGDOM LONDON. PORTRAIT O.A.Y.G.” by Josiane M.H. Pozi at Carlos/ Ishikawa captures scenes of personal artifact, of ordered clutter;…
Accumulation. Ruofan Chen
In October 2023, Ruofan Chen spent a cold October north of the arctic circle at a residency in Fleinvær, a…
Hysteric Literature. A Conversation with Olivia Kan-Sperling
The questions of literary modernism have always been deeply entwined with those of psychoanalysis: both are concerned with the dissolution…
Briefly Witnessing the Impossible. A Conversation with Megan Mi-Ai Lee
To what extent are we willing to be fooled? Megan Mi-Ai Lee’s practice probes the affective pull that keeps us…
A Painting That Says No . Olivia van Kuiken
Olivia van Kuiken once said: “A painting is incapable of telling time. It’s a static image.”[1] That line keeps tolling…
Skin, Cloth, Paper, Snow. A Conversation with Ruoru Mou
Ruoru Mou’s practice folds together industry, ownership, and inheritance. Working across sculpture and installation, she manipulates factory debris and fragments…