Role-Casting in the Uncanny Valley. Adam Gordon
“The door of a house was just opened after a month. All of the windows are closed and the plastic blinds are pulled down.…
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After You. Roni Horn
I. It is easy to start with the eyes. My first encounter with the work of Roni Horn involved an…
Plastic Visions. Tony Chrenka
As the first patents for industrial applications of polyethylene terephthalate (PET) were filed with the US Patent Office in the…
Let It Work If It Works. In Conversation with Rose Wylie
David Kohn: We’re here in your studio where you’ve been working for almost sixty years. The paintings are all gone…
Blank Spaces. Sung Tieu
Sung Tieu’s installations often appear austere; cold, manufactured surfaces reject the gaze, and the work assumes an almost passive-aggressive bureaucratic…
Karmic Modernism. In Conversation with Elizabeth Englander
It is taken as a maxim of our age that serious art is secular. Like most broad-stroke claims, this one folds when…
The tiniest event can tear a hole. Sara MacKillop
Greetings from January 1, 2026, on actual pen and paper! Sara MacKillop’s practice starts here. But not with the nihilism…
Grapeshot. Nancy Lupo
Nancy Lupo’s forthcoming exhibition “Meow Meow Real Estate” at the Nicoletta Fiorucci Foundation’s London location inside of a Chelsea townhouse…
LIKE A DUET. In Conversation with Anne Imhof
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
Friend of X. A Conversation with Raque Ford
Raque Ford’s recent projects treat language as a pop refrain inflected with drag, residue, and feedback. Her texts get tested:…
Shell Game. In Conversation with Luc Tuymans
Luc Tuymans is smoking a cigarette outside of his studio when I arrive. It’s October 12, 2025 – a Sunday – in Antwerp, and…
These Ghosts. Clémentine Bruno
There is, at the heart of Clémentine Bruno’s practice, a question that refuses simplicity: How does one make space for presence…
What Did Happen or What Might Have Happened or What Can Never Happen. Dustin Hodges
In the HBO series The Leftovers (2014–17), two percent of the world’s population vanishes without warning or explanation. The event,…
Nat Faulkner “Strong water” Camden Art Centre / London
The peppered moth was once almost entirely pale, flecked with minute dark spots that camouflaged it against lichen tree bark and stone.…
Tetherings. A Conversation with Mary Stephenson
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…
No Romance. Gili Tal
Throughout my conversation with Gili Tal, freshly landed back in London after opening her solo exhibition “Soft and Bouncy” (2026)…