Franco Mazzucchelli, Champ Lacombe / Biarritz
On April 25 we commemorated Italy’s liberation from more than twenty years of fascism and, on May 1, the struggles…
On April 25 we commemorated Italy’s liberation from more than twenty years of fascism and, on May 1, the struggles…
When you go underwater, space takes on a different density: light is absorbed and refracted, vision becomes blurred, objects appear…
“Conspiracies,” curated by Larne Abse Gogarty (author of What We Do Is Secret: Contemporary Art and the Antinomies of Conspiracy (2023), approaches conspiracy…
We have heard the story before: a person descends through a hole in the earth and enters a hidden world.…
One enters the sequence of galleries at Hauser & Wirth on 18th Street, New York, with an initial expectation of an intellectually…
What’s most striking about “Die Bleche und ich gehen heim” at Contemporary Fine Arts in Basel is how the show handles motion and stillness. This solo…
Writing about Trisha Donnelly’s work feels like a betrayal — or, at the very least, a contradiction in terms. Her…
In 1985, Marxist scholar Silvia Federici wrote a poem dedicated to what she called “the conspiracy theory of history,” rejecting…
In Giangiacomo Rossetti’s latest exhibition, “Résurrectine” at Mendes Wood DM, Paris, a mysterious yellow glows. Vivid and sickly, the color…
Tobias Pils’s ambitious exhibition “Shh” at mumok, Vienna, spans three spaces and looks back at a decade of his practice,…
Based in London, trained across the creative industries and art, Fang Liu (Summer) presents a curatorial practice that refuses the…
Cyprien Gaillard is no studio artist. He wanders and finds things. In Munich, he explored the Haus der Kunst, sometimes…
In 2017, Gerhard Richter fulfilled his collectors’ deepest, darkest dream: he announced he was done with painting. That same year,…
Much recent critical theory has been concerned with the following proposition: that although the triumph of reason claims to have…
On Monday, October 13, 2025, just a few days after I visited Basel Abbas and Ruanne Abou-Rahme’s multimedia installation Prisoners…
How do you put a finger on Lutz Bacher? Contemplating this, I walked toward Astrup Fearnley through a pocket of…