Vincent Fecteau CCA Wattis Institute / San Francisco

In Vincent Fecteau’s most recent solo exhibition at the CCA Wattis Institute — his first show in San Francisco, his…
In Vincent Fecteau’s most recent solo exhibition at the CCA Wattis Institute — his first show in San Francisco, his…
The past eight months of political protest have left the administration of Hong Kong speechless. In failing to acknowledge its…
For its second edition, TOKAS Project invited Hong Kong Arts Centre and independent curator Yuk-Yiu Ip to present a media…
Halfway into Canadian sculptor Liz Magor’s exhibition at Marcelle Alix, I brazenly swung myself down on a plinth only millimeters…
Maguerite Humeau’s earlier exhibitions at the Palais de Tokyo and Nottingham Contemporary (2016–17) focused on what allowed the human species…
In Elaine Cameron-Weir’s “strings that show the wind,” three sets of paired sculptures stand, as if halted mid-procession, atop an…
In past interviews, Emily Mae Smith has described her current style and aesthetic as a result of her own experiences…
“Landlord Colors” stages a comparative history of the art of sociopolitical upheaval, bringing together work from five far-flung locales during…
Like anything else, “Stinking Dawn” affects the way you see things as much as it reflects them, but it is…
Experiencing Ettore Spalletti’s solo exhibition at the NMNM’s Villa Paloma — spread over three floors and seven galleries — is…
The Whitney Biennial has historically been an occasion for artistic protest and institutional critique, and this year’s iteration proved to…
Wong Ping’s practice revolves around three fundamental aspects — filmmaking, sculpture, and storytelling. His animated films are the result of…
“Inner Ear Vision: Sound as Medium” at the Bemis Center for Contemporary Arts offers a welcome cross section of innovative…
If there is a narrative that dominates degenerate populist and sovereign rhetoric, it is that of the border. Whether based…
To access Libita Clayton’s immersive sound installation Quantum Ghost (2019), one must enter the space through a cave mouth leading…
In these ominous images we see the dark vision of humanity that has characterized Wattuya’s work for much of his…