Ed Clark “Paint is the Subject” Hauser & Wirth / Zurich
“Paint is the Subject”, the first solo exhibition in Switzerland dedicated to Ed Clark, offers a long-overdue and in-depth look…
Reviews
Rosa Barba “The Ocean of One’s Pause” MoMA – Museum of Modern Art, New York
Against the darkened Kravis Studio at MoMA, a network of taut wires spans the space on a diagonal, evoking the…
Marius Steiger “Monsieur Hulot” Blue Velvet / Zurich
It was one of the hottest days of one of the hottest summers I can remember. The newly asphalted square…
Sigefride Bruna Hautman M Leuven
With this retrospective of work by Antwerp-based artist Sigefride Bruna Hautman, M Leuven reintroduces a singular and hitherto little-known practice…
Ketuta Alexi-Meskhishvili “there, but not” Kunstverein Braunschweig
I have always been struck by the quality of light in Ketuta Alexi-Meskhishvili’s photographs. Their surfaces are luminous, their colors…
Taewon Ahn “Sync” Project Native Informant / London
In Taewon Ahn’s first UK solo show at Project Native Informant, twenty-five individual works populate the exhibition space. These…
Ho Tzu Nyen “Three Stories: Monsters, Opium, Time” Kiang Malingue / Hong Kong
Everyone thinks they know what time is — as Saint Augustine suggests in Book XI of the Confessions — until…
“Intelligens. Natural. Artificial. Collective.” 19th Venice Architecture Biennale
Under the curatorship of Carlo Ratti, a professor at MIT, where he directs the Senseable City Lab, this year’s Biennale…
“Image as Trace” Brunette Coleman / London
In his “Little History of Photography” (1931), Walter Benjamin interprets an early portrait of Carl Dauthendey and his bride. This…
Pauline Curnier Jardin “Deep Scarlet, Scream Ruby (The Freestanding Joys)” Galeria Municipal do Porto
A singular kind of anticipation swept through towns when the circus arrived – not just excitement, but a sense of…
Daiga Grantina “Leaves” Emalin / London
Seeing sometimes involves letting go. Watching schools of shiners on a summer evening, Annie Dillard becomes an “unscrupulous observer” in…
Guglielmo Castelli “Um galo sozinho não tece uma manhã” Mendes Wood DM / São Paulo
In his first solo exhibition at Mendes Wood DM’s São Paulo gallery, Guglielmo Castelli presents a recent body of paintings…
R.I.P. Germain “Anti-Blackness Is Bad, Even The Parts That We Like” Cabinet / London by Anya Harrison
In her treatise on UK drill, the underground musical sub-genre that is believed to have originated in the neighborhoods and…
Renée Green “The Equator Has Moved” Dia Beacon / New York
In 1492, the Spanish scholar Antonio de Nebrija published one of the first books dedicated to a vernacular European language,…
Amy Sillman “Oh, Clock!” Ludwig Forum / Aachen
A shelf with forty-one drawings on aluminum shows different stages in the creation of Amy Sillman’s painting Miss Gleason (2014).…
Ciccio “Broadcast: Transference” O-Town House / Los Angeles
In the 1952 musical classic Singin’ in the Rain, there’s a moment when Donald O’Connor’s character, Cosmo Brown, tries to…