Virginia Overton “Paintings” White Cube / London

Virginia Overton has spent years testing the physical and psychological limits of sculpture — balancing weight against weightlessness, rough against…
Virginia Overton has spent years testing the physical and psychological limits of sculpture — balancing weight against weightlessness, rough against…
Tasneem Sarkez’s “White Knuckle” marks the twenty-two-year-old artist’s first exhibition in the UK. Six paintings are hung amid two sculptures…
Michael Abel’s paintings refuse to offer clarity about what they want or need — assuming we accept the mythology of…
Bruno Zhu is a stylist par excellence, that is, one who knows that surfaces cut deep with conspiracy. Never simply…
There is an inevitable temptation in the explication of any artwork to resort to the anecdotal — a persistent urge…
Nan Goldin’s retrospective, “This Will Not End Well,” is a monumental and deeply moving journey through the acclaimed photographer’s life…
Arriving in the maritime city of A Coruña, Galicia, feels like stepping into a land that embraces with open arms…
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that grey vault. The sea. The…
You are here. Position pinned. If we pause for a moment, are we able to locate the Central Asian republics…
In Kai Althoff’s exhibition “di costole” at Nervi Delle Volpi, a new space in Genoa organized by Berlin’s Galerie Neu,…
If someone asked me to imagine what Diego Marcon’s studio might look like, I’d likely picture a puppeteer’s workshop. Lining…
From smartphones to computers, from social media algorithms to artificial intelligence and virtual assistants, our daily lives are governed by…
Silvia Federici once wrote that “the body is a factory.” For the body to not work — can’t or won’t…
Kim Sowol’s 1925 poem Azaleas is written from a feminine perspective, where the speaker, anticipating her lover’s leaving, plans to…
Having climbed the stairs to Sara Siestreem’s solo show “milk and honey” at Cristin Tieren Gallery, viewers will be made…
In the text accompanying Oisín Byrne’s exhibition “Smell the Book,” writer Daisy Lafarge asks, “How does language make you feel?”1…