Koo Jeong A “Land of Ousss [Kangse]” LUMA Arles

Koo Jeong A’s exhibition “Land of Ousss [Kangse]” feels oddly scattered. Contrary to what the title implies, it isn’t concerned…
Koo Jeong A’s exhibition “Land of Ousss [Kangse]” feels oddly scattered. Contrary to what the title implies, it isn’t concerned…
In “Degenerates, Monsters, and Traitors (1573),” Kristian Kožul takes a baroque scalpel to history, ideology, and trauma, assembling a theatrical,…
“A garment, a pin, a seam, a shield” at Phillida Reid is a thoughtfully composed exhibition that attends to the…
At M Leuven, the solo exhibition “A History of Touch” by German-British artist Grace Schwindt offers an unusually intimate encounter…
Tucked in a remote corner of Aragón, between Barcelona and Valencia, the county of Matarraña unfold like a chapter from…
One of the main missions of the IAC – Institut d’art contemporain Villeurbanne / Rhône-Alpes is to showcase monographic exhibitions…
Nestled within historical walls, the town of Arles is a delightful little Roman lieu. Filled with art and expensive organic…
“Paint is the Subject”, the first solo exhibition in Switzerland dedicated to Ed Clark, offers a long-overdue and in-depth look…
Against the darkened Kravis Studio at MoMA, a network of taut wires spans the space on a diagonal, evoking the…
It was one of the hottest days of one of the hottest summers I can remember. The newly asphalted square…
With this retrospective of work by Antwerp-based artist Sigefride Bruna Hautman, M Leuven reintroduces a singular and hitherto little-known practice…
I have always been struck by the quality of light in Ketuta Alexi-Meskhishvili’s photographs. Their surfaces are luminous, their colors…
In Taewon Ahn’s first UK solo show at Project Native Informant, twenty-five individual works populate the exhibition space. These…
Everyone thinks they know what time is — as Saint Augustine suggests in Book XI of the Confessions — until…
Under the curatorship of Carlo Ratti, a professor at MIT, where he directs the Senseable City Lab, this year’s Biennale…
In his “Little History of Photography” (1931), Walter Benjamin interprets an early portrait of Carl Dauthendey and his bride. This…