“After Steps Through Work. Fendi / Karl Lagerfeld 1985” GNAMC – Galleria Nazionale d'Arte Moderna e Contemporanea, Rome
When I walked into the exhibition, after passing through the Pino Pascali room at GNAMC – Galleria Nazionale d’Arte Moderna…
When I walked into the exhibition, after passing through the Pino Pascali room at GNAMC – Galleria Nazionale d’Arte Moderna…
A few years ago, I stayed in Ewa Poniatowska’s bedroom in Stoke Newington. If London is like a polluted river,…
In Shirana Shahbazi’s show, “All at Once. An Interplay with Li Tavor” (2026) at the Kunstmuseum Luzern, her 16mm film…
The history of cinema is, as Mary Ann Doane meticulously outlines in her book The Emergence of Cinematic Time[1] (2002),…
Mimmo Haraditiohadi has a collection of small wooden toy houses, simple block-like forms with hand-drawn windows and doors, their roofs…
It takes at least three people to make a society. Three, then, are also enough to make a secession. The…
Seamus Heaney begins his “Elegy (For Robert Lowell)” (1977) [1] with an observation that seems pretty self-evident: “The way we’re…
*A line from Anne Carson’s poem “The Glass Essay,”in which the Canadian poet and essayist moves through the psychologically resonant…
Little pools of ash, left behind by compressed ash blocks, gather on cardboard surfaces spread across the floor. Surrounded by…
Thomas Ruff is already on holiday on an island off Italy’s coast when I interview him. When he picks up…
I’m afraid to admit the exact amount of debt I’m in. Walking into the exhibition “Call me gravity” at WIELS in Brussels, I half-expected to find myself…
Euphoric, machinic Italo disco pulses through Nottingham Contemporary’s galleries, audible from the street, where passersby press against the wall- length glass…