Shirana Shahbazi, “All at Once. An Interplay with Li Tavor” Kunstmuseum Luzern
In Shirana Shahbazi’s show, “All at Once. An Interplay with Li Tavor” (2026) at the Kunstmuseum Luzern, her 16mm film…
356 FALL 2026
The Persistent Present. Yalda Afsah
The history of cinema is, as Mary Ann Doane meticulously outlines in her book The Emergence of Cinematic Time[1] (2002),…
Familiar Grounds. Mimmo Haraditiohadi
Mimmo Haraditiohadi has a collection of small wooden toy houses, simple block-like forms with hand-drawn windows and doors, their roofs…
Territories. Vladislav Markov
It takes at least three people to make a society. Three, then, are also enough to make a secession. The…
Felix Gonzalez-Torres “Sweet Revenge” Museo Reina Sofía/ Madrid
Seamus Heaney begins his “Elegy (For Robert Lowell)” (1977) [1] with an observation that seems pretty self-evident: “The way we’re…
Everything it is it has*. Thea Djordjadze
*A line from Anne Carson’s poem “The Glass Essay,”in which the Canadian poet and essayist moves through the psychologically resonant…
Nina Porter “Sample Question” Kunstverein in Hamburg
Little pools of ash, left behind by compressed ash blocks, gather on cardboard surfaces spread across the floor. Surrounded by…
Can’t Get You Out of My Head. In Conversation with Thomas Ruff
Thomas Ruff is already on holiday on an island off Italy’s coast when I interview him. When he picks up…
“Call Me Gravity” WIELS / Brussels
I’m afraid to admit the exact amount of debt I’m in. Walking into the exhibition “Call me gravity” at WIELS in Brussels, I half-expected to find myself…
Augustas Serapinas “Physical Culture” Nottingham Contemporary/ Nottingham
Euphoric, machinic Italo disco pulses through Nottingham Contemporary’s galleries, audible from the street, where passersby press against the wall- length glass…