Life = Porridge. Tolia Astakhishvili
Out of all the possible details – and there are many – that make up Tolia Astakhishvili’s sprawling borderless oeuvre,…
Anya Harrison
“In Minor Keys” 61st Venice Biennale
Merde. This is the first thought that takes shape in my head once I’ve acclimatized to the mammoth undertaking that I’ve just agreed to. Koyo…
Julian-Jakob Kneer “Gestalt” Blue Velvet / Zurich
Now here’s a lesson: “The only thing you got in this world is what you can sell,” utters Charley, one…
No Romance. Gili Tal
Throughout my conversation with Gili Tal, freshly landed back in London after opening her solo exhibition “Soft and Bouncy” (2026)…
89 Seconds to Midnight. Yngve Holen
“Form – it’s because there are consequences,” writes poet Lisa Robertson.[1] I came across this line late at night during one…
Happy Accidents, Silver Linings: Nat Faulkner
Nat Faulkner produces images — but also the potential for images. He uses photography’s sleight of hand, from the micro…
R.I.P. Germain “Anti-Blackness Is Bad, Even The Parts That We Like” Cabinet / London by Anya Harrison
In her treatise on UK drill, the underground musical sub-genre that is believed to have originated in the neighborhoods and…
All Systems Go
In 1997, the world watched with awe and trepidation as IBM’s supercomputer Deep Blue defeated Russian world chess champion Garry…