Robin Graubard JTT / New York
It is estimated that a trillion photographs will be taken this year, mainly on the mobile devices we all carry…
It is estimated that a trillion photographs will be taken this year, mainly on the mobile devices we all carry…
Alex Israel’s second solo show at Almine Rech Gallery, following “Thirty” in 2012, features an ensemble of two self-portraits, three…
Having grown up in a post 9/11 world, millennial artists like Noah Barker, the curator of the group show “International…
“Travelers return from the city of Zirma with distinct memories: a blind black man shouting in the crowd, a lunatic…
Isobel Williams’s practice centers on observing and live-drawing at public gatherings, from the Notting Hill outdoor carnival to clubs where…
Laura Lamiel’s studio is surrounded by bamboo trees that filter the light coming into the main room. Inside, big white…
In 1962, at the onset of electronic technology, Marshall McLuhan wrote, “The human family now exists under the conditions of…
Lillehammer is much smaller than I thought. The fame of the 1994 Winter Olympics and the recent American/Norwegian TV series…
Through a range of video, installation and photographic works produced during his two-year residency at Rijksakademie van beeldende kunsten in…
Residents of Los Angeles may be familiar with the peculiar KFC franchise located at the intersection of Western and Oakwood…
“Every joke is a tiny revolution,” wrote George Orwell, implying that funny means somehow upsetting the established order.
How is history written? Of what is it composed? Whose documents, journals and diaries are borrowed from when carving out…
“I can see you with my eyes closed. Can you see me as clearly?” This seems to be the question…
“Privacy to me is mourning,” Danh Vo once observed in an interview¹, “mourning for the loss of it.” This dispirited…
Found-object sculpture tends towards a materialism that highlights what objects bring with them when they come under the auspices of…
At first glance, the show is unified more by palette and an economy of gesture than by medium.