Jean Baudrillard Chateau Shatto / Los Angeles
More than any other photographer, we are invested in Baudrillard’s words. To separate the texts from the photographs would do…
More than any other photographer, we are invested in Baudrillard’s words. To separate the texts from the photographs would do…
The group exhibition at Ballroom Marfa, curated by Tom Morton, begins with Damián Ortega’s The Root of the Root (2011–13)…
In Women in Dark Times, Jacqueline Rose discusses the paintings of Charlotte Salomon, a German-Jewish artist who generated hundreds of…
At the beginning of Mette Ingvartsen’s 69 Positions, the audience enters an open, steel-tube cage lined with various performance documentation…
Once upon a time alchemists believed that there were four elements — earth, air, fire and water — out of…
Emotional nakedness and defenseless sensitivity will draw out much from a person, not all of it attractive. In a dark…
When we see an object, what we are really seeing is the light reflected off of it, which stimulates neural…
Sometimes a joke is so bad we have to laugh despite ourselves; that is the spirit Sebastian Black sets up…
“It feels like we shouldn’t be down here,” said one woman to another as they prowled the dark bowels of…
John Giorno has had the good fortune of having great and illustrious lovers — they have photographed him, read his…
In Cao Fei’s installation Rumba 2 —one of the eight rooms in the exhibition “No Longer, Not Yet” — toy…
If Harald Szeemann described exhibitions as “poems in space and time,” curator Matthieu Poirier makes them feel more like movies.…
Before its presentation at the Museum Dhondt-Dhaenens in Belgium, the exhibition “Carol Bove / Carlo Scarpa” was curated by the…
Paulina Olowska has had a string of major exhibitions over the past few years, many of them full of collaborations,…
Writing and travel are corresponding activities inasmuch as they depend on distance. A chronicler is necessarily set apart from the…
The phenomenon of “self-colonization” peculiar to Russian society — that is manifested in the ruling classes’ feelings of the foreignness…