Fissures to Form: Berlin Atonal’s “Metabolic Rift”
Kraftwerk Berlin is an astounding structural site, made up of a cavernous interior enclosed by an intricate layout for the…
Feature
Foreclosing on the Future: The Effects of Brexit on Small Galleries
As the art world makes its way over the crest of summer, eagerly anticipating the deluge of fairs to come…
An Interrogation of Value: Instagram and its Fallout
To mention the words “digital” and “value” with regard to the art market now is to risk a particularly acerbic…
Narcissus and Echo: The Singular Multiverse of Ebecho Muslimova
She reinvents herself as furniture, flora, or fauna; examines herself in any reflection she can find and dances the macabre;…
Brands Never Die: Daft Punk and the Not-an-End Era
On February 22, 2021, the music duo Daft Punk publicly announced that they’d broken up. What was most surprising about…
The Big Chill: London’s Art Shutdown
Over the last number of days, with the bright midday sun eagerly cajoling London out of its winter freeze, I’ve…
Deborah Kass: Teenage Dream
“Regarding Glee I would say two things: 1. It’s not like my work. It is my work; and 2. I…
The Great Stink
I got COVID this autumn, not after taking fourteen flights over the course of the summer working on various projects…
Supple Involution: Justin Fitzpatrick
From the gnarled trachea, baroque ironwork turns capillaceous, inscribing a flat duo-headed torso in liquid iron Rorschach that curls over…
A Quiet Antagonism: Artists, Galleries, and the ’Gram
An alarm is sounding in the art world, and it’s become increasingly deafening. The wails of this siren are not…
Smells Like Burning
By the end of last year, ecosystems around the world were on fire, and so were many of the old-growth…
Artificial Abstraction and the Poetics of Machine Learning: The Role of AI in the Art of Anna Ridler and Roman Lipski
A new generation of artists are working with machine learning as an integral part of their practice. At a time…
A Resurgence of the Spiritual in Art
Over the last several decades, spiritual themes seem to have been largely missing from contemporary art, replaced by the conceptual,…
Huma Bhabha’s figures
This conversation revolves around The Company, Huma Bhaba’s (Karachi, 1962, live and works in U.S.) first exhibition at Gagosian gallery…
Feasts of excess: Zoe Williams
In her 1992 novel The Secret History, author Donna Tartt details the story of a group of youths studying the classics…
A Telephone and a Maze: Peter Halley's Alchemical Abstractions
In the beginning there was a telephone. And this telephone was ringing. And no one was answering. As there was…