Deborah Kass: Teenage Dream

“Regarding Glee I would say two things: 1. It’s not like my work. It is my work; and 2. I…
“Regarding Glee I would say two things: 1. It’s not like my work. It is my work; and 2. I…
I got COVID this autumn, not after taking fourteen flights over the course of the summer working on various projects…
From the gnarled trachea, baroque ironwork turns capillaceous, inscribing a flat duo-headed torso in liquid iron Rorschach that curls over…
An alarm is sounding in the art world, and it’s become increasingly deafening. The wails of this siren are not…
By the end of last year, ecosystems around the world were on fire, and so were many of the old-growth…
A new generation of artists are working with machine learning as an integral part of their practice. At a time…
Over the last several decades, spiritual themes seem to have been largely missing from contemporary art, replaced by the conceptual,…
This conversation revolves around The Company, Huma Bhaba’s (Karachi, 1962, live and works in U.S.) first exhibition at Gagosian gallery…
In her 1992 novel The Secret History, author Donna Tartt details the story of a group of youths studying the classics…
In the beginning there was a telephone. And this telephone was ringing. And no one was answering. As there was…
Lodovico Pignatti Morano in conversation with Nanni Balestrini Lodovico Pignatti Morano: I’d like to focus in this interview on the…
In the beginning there was a telephone. And this telephone was ringing. And no one was answering. As there was…
The task of representing Finland, Norway, and Sweden — or the Nordic countries — at the 58th International Art Exhibition…
Mandy El-Sayegh’s research addresses some of the most burning questions that women (artists) have dealt with for decades: How does…
In 2013, a mostly full audience at the Hammer Museum watched ITSOFOMO (In the Shadow of Forward Motion), David Wojnarowicz’s…
It was only a matter of time until we got our Harald Szeemann show. In 2011 the Getty Research Institute…