Juliana Huxtable “AKIMBO SPITTLE” Project Native Informant / London
Even in description there is a kind of consumption; it is, in part, an inevitable fate for a review: to…
Alex Bennett
Sands Murray-Wassink "I am not American (I love Adrian, I miss Carolee, I follow Hannah)" Auto Italia / London
In what ways is a mind a body? The one inextricably feeds the other, yes, but there are many minds…
YuJi “Against Shadows” Sadie Coles HQ / London
The fragment involves an ambiguous altercation between singularity and dispersal, atomized integrity, and fracturing action. A fragment, like fragmentals, is…
Rindon Johnson “Law of Large Numbers: Our Selves” Chisenhale Gallery / London
There is a way of speaking that implicates a body in everything on earth. It may affirm transitory fixity where…
Olga Balema “Computer” Camden Art Centre / London
All for the little nature of water lilies, Claude Monet developed a portion of land and diverted a narrow arm…
Alice Channer "Megaflora" Large Glass / London
The surfaces of Alice Channer’s sculptures actualize both evidence and emergence: evidence in their exposure of polyphonic, contaminating processes; and…
Leidy Churchman “The Between is Ringing” Rodeo / London
At first blush, the wound appears amoeboid. Afloat in decontextualized, atemporal amber, its charred kohl perimeter the blackness of clotting.…
Helen Marten: Whispered Circuitry, Drunken Quality
Approximation “It is said that our eyeballs record the last thing we see before we die. That there is a…
Something like Saturn: Michael Clark
Dance Office is a column dedicated to contemporary dance and performance art. In 1984, for the closing minutes of The…
Alexandra Bircken “2020” Herald St. / London
Alexandra Bircken’s sculpture manifests from abundance: bronze, branch, thread, wax, steel, motorcycle, with equally diverse treatments: woven, stretched, dissected, dissevered,…
Supple Involution: Justin Fitzpatrick
From the gnarled trachea, baroque ironwork turns capillaceous, inscribing a flat duo-headed torso in liquid iron Rorschach that curls over…
Rachel Rose Lafayette Anticipations / Paris
In the rearrangement of distance one finds a slippery continuum across Rachel Rose’s liminal and alchemical work. Distance, which determines…
Paul P. "Centaurs on the Beach" Maureen Paley / Morena di Luna, Hove
In the face of it: rain shower, blustering waves and foreseeable spume, the sea soon cast the wetness of time…
Marc Camille Chaimowicz “Paintings…” Cabinet Gallery / London
The ellipsis suggests dilation, a space for curtailed retrospection or future elaboration, a surfeit of meaning to be uttered or…
Daiga Grantina Discusses “What Eats Around Itself” at the New Museum, New York
Alex Bennett: Though your work involves sculptural assemblages of extremely diverse material, it’s curious to know that film was your…
Cerith Wyn Evans “No realm of thought… No field of vision” White Cube / Bermondsey
If the stark, ascetic coda of Cerith Wyn Evans’s sculptures disintegrates under anything it is the sensuality of optics. Diluting…