Daiga Grantina “Leaves” Emalin / London
Seeing sometimes involves letting go. Watching schools of shiners on a summer evening, Annie Dillard becomes an “unscrupulous observer” in…
Alex Bennett
Gregg Bordowitz “There: a Feeling” Camden Art Centre / London
“Prayer is all about address,” Gregg Bordowitz writes. “It’s about giving an account of oneself to another, and being other…
Bruno Zhu “License to Live” Chisenhale Gallery / London
Bruno Zhu is a stylist par excellence, that is, one who knows that surfaces cut deep with conspiracy. Never simply…
(I), Ellipse. B. Ingrid Olson
One image, slid. Something like cleavage, crumpled, diminishes into the groin. One image, synthesized. She is hard, interstice furling interstice,…
Edgeplays. Stanislava Kovalčíková
St. Sebastian is a kinky pussyboy, or a honeytrap. Spank me, Blasphemy! Beamed into a bucolic, peachy saturnalia, his cock-ringed,…
Present Tense: Win McCarthy
“Now” is already too late and, in its lateness, a lie: the utterance of now is a now no longer.…
Stella Zhong: Real Enigma
Across Neverland terrains, we catch a fade. Words break off its surface with the slimmest shiver, its occurrence a blink.…
Lotus L. Kang: At First Blush
Recall those nectarine swathes basking in abeyance. Quenching, their tipped menisci urge semantic gushing. Coralline registrations: scores of quince, milky…
SoiL Thornton: Vug Culturing, Swallet Thinking
Again: does productivity know what it’s named, maybe it calls itself identity?1 That spinning coin, productivity and identity, ever flickering.…
P.Staff: Ardor, Attrition
What do you dream of When life’s not given?1 Venus crushes. Peony-dense, obliterating human experience in compacted flusters of sheer…
K.R.M. Mooney: Lastings
I relish that no one knows the time one may put into solitude. Yours, mine, alone. One’s interior life is…
Redd Ekks "X" Arcadia Missa / London
“X” speaks of cryptic notice: a point slyly declarative and deliberately obscuring. Beyond codification, “X” is a teasing mark of…
Gretchen Bender “Image World” Sprüth Magers / London
Obliquely affiliated with the Pictures Generation of the 1980s, Gretchen Bender’s fierce use of film and television as source material…
Juliana Huxtable “AKIMBO SPITTLE” Project Native Informant / London
Even in description there is a kind of consumption; it is, in part, an inevitable fate for a review: to…
Sands Murray-Wassink "I am not American (I love Adrian, I miss Carolee, I follow Hannah)" Auto Italia / London
In what ways is a mind a body? The one inextricably feeds the other, yes, but there are many minds…
YuJi “Against Shadows” Sadie Coles HQ / London
The fragment involves an ambiguous altercation between singularity and dispersal, atomized integrity, and fracturing action. A fragment, like fragmentals, is…