SoiL Thornton: Vug Culturing, Swallet Thinking
Again: does productivity know what it’s named, maybe it calls itself identity?1 That spinning coin, productivity and identity, ever flickering.…
Alex Bennett
P.Staff: Ardor, Attrition
What do you dream of When life’s not given?1 Venus crushes. Peony-dense, obliterating human experience in compacted flusters of sheer…
K.R.M. Mooney: Lastings
I relish that no one knows the time one may put into solitude. Yours, mine, alone. One’s interior life is…
Redd Ekks "X" Arcadia Missa / London
“X” speaks of cryptic notice: a point slyly declarative and deliberately obscuring. Beyond codification, “X” is a teasing mark of…
Gretchen Bender “Image World” Sprüth Magers / London
Obliquely affiliated with the Pictures Generation of the 1980s, Gretchen Bender’s fierce use of film and television as source material…
Juliana Huxtable “AKIMBO SPITTLE” Project Native Informant / London
Even in description there is a kind of consumption; it is, in part, an inevitable fate for a review: to…
Sands Murray-Wassink "I am not American (I love Adrian, I miss Carolee, I follow Hannah)" Auto Italia / London
In what ways is a mind a body? The one inextricably feeds the other, yes, but there are many minds…
YuJi “Against Shadows” Sadie Coles HQ / London
The fragment involves an ambiguous altercation between singularity and dispersal, atomized integrity, and fracturing action. A fragment, like fragmentals, is…
Rindon Johnson “Law of Large Numbers: Our Selves” Chisenhale Gallery / London
There is a way of speaking that implicates a body in everything on earth. It may affirm transitory fixity where…
Olga Balema “Computer” Camden Art Centre / London
All for the little nature of water lilies, Claude Monet developed a portion of land and diverted a narrow arm…
Alice Channer "Megaflora" Large Glass / London
The surfaces of Alice Channer’s sculptures actualize both evidence and emergence: evidence in their exposure of polyphonic, contaminating processes; and…
Leidy Churchman “The Between is Ringing” Rodeo / London
At first blush, the wound appears amoeboid. Afloat in decontextualized, atemporal amber, its charred kohl perimeter the blackness of clotting.…
Helen Marten: Whispered Circuitry, Drunken Quality
Approximation “It is said that our eyeballs record the last thing we see before we die. That there is a…
Something like Saturn: Michael Clark
Dance Office is a column dedicated to contemporary dance and performance art. In 1984, for the closing minutes of The…
Alexandra Bircken “2020” Herald St. / London
Alexandra Bircken’s sculpture manifests from abundance: bronze, branch, thread, wax, steel, motorcycle, with equally diverse treatments: woven, stretched, dissected, dissevered,…
Supple Involution: Justin Fitzpatrick
From the gnarled trachea, baroque ironwork turns capillaceous, inscribing a flat duo-headed torso in liquid iron Rorschach that curls over…