Cindy Sherman: Goodbye, Little Yellow Bird; or, A Cage of Gold

“It’s almost an impression of how the character sees her environment, not how we would see it — or if…
“It’s almost an impression of how the character sees her environment, not how we would see it — or if…
“Regarding Glee I would say two things: 1. It’s not like my work. It is my work; and 2. I…
Barbara Kruger’s work has come to represent a host of negative affects for art historians and critics, and it is…
In her 1975 poem “Liebestod,” Gwen Head writes of a girl on a beach who sunbathes with a glittering gun…
Movie Night is a column exploring film semiotics and thoughts about moviegoing in general. Oigo el llorido del mar, el…
“Thus, one of the things that anyone’s character or personality is is a record of the highly individual histories by…
“I feel as though I’m still not writing. I foresee and want a way of speaking that’s more fanciful, more…
In 1969, Betty Tompkins (b. 1945, USA; lives in New York and Mount Pleasant, PA) began her series of “Fuck…