Cindy Sherman: Goodbye, Little Yellow Bird; or, A Cage of Gold

“It’s almost an impression of how the character sees her environment, not how we would see it — or if…
“It’s almost an impression of how the character sees her environment, not how we would see it — or if…
A metallic clamor pulses across an arrangement of marble blocks, steel beams, cables, and handmade musical instruments, before a rustling…
What’s there and what’s not there? Harold Mendez’s presentation at the ICA, Los Angeles, is an exploration into the meaning…
Between 1957 and 1961, Robert Smithson (1938–1973) exhibited works with a stylistic affinity to Abstract Expressionism, which was then mainstream…
Steven Spielberg’s Jurassic Park (1993), a morality tale about the wonders of technology at the end of the twentieth century,…
I had planned to use the call to ask Nora Turato questions about typography — about the typefaces that she…
Minneapolis: the site of a deadly reckoning that recently primed the world for a new wave of civil rights activism.…
Almost a year after the death of Yona Friedman (1923–2020), we offer an excerpt from a text by François Roche…
“No, I hadn’t heard about Ian Wilson, his life stood as an example for me, his death merely extends its…
Sound as art emerged in the counterculture 1960s as a lively, open-ended alternative away from the center. Practitioners with backgrounds…
(Episode II) NewCostume is a column by Matthew Linde exploring contemporary fashion practice. November 20, 2047: the explosive timestamp for…
On the occasion of a screening of James Crump’s Spit Earth: Who is Jordan Wolfson? at the upcoming edition of…
On the occasion of a screening of Omer Fast’s 2019 film De Oylem iz a Goylem at the upcoming edition…
Statements about Germano Celant’s contribution to conceptual art usually limit themselves to invoking his invention of the notion of arte…
Robert Morris’s art is rooted in the corporeal: not only in its means of production — involving materials of heavy…