“Conspiracies” Aby Warburg Institute / London
“Conspiracies,” curated by Larne Abse Gogarty (author of What We Do Is Secret: Contemporary Art and the Antinomies of Conspiracy (2023), approaches conspiracy…
“Conspiracies,” curated by Larne Abse Gogarty (author of What We Do Is Secret: Contemporary Art and the Antinomies of Conspiracy (2023), approaches conspiracy…
Nancy Lupo’s forthcoming exhibition “Meow Meow Real Estate” at the Nicoletta Fiorucci Foundation’s London location inside of a Chelsea townhouse…
Anne Imhof: I have immense respect and admiration for you as an artist, and I am very lucky to call you my friend! The first…
Raque Ford’s recent projects treat language as a pop refrain inflected with drag, residue, and feedback. Her texts get tested:…
We have heard the story before: a person descends through a hole in the earth and enters a hidden world.…
There is, at the heart of Clémentine Bruno’s practice, a question that refuses simplicity: How does one make space for presence…
One enters the sequence of galleries at Hauser & Wirth on 18th Street, New York, with an initial expectation of an intellectually…
What’s most striking about “Die Bleche und ich gehen heim” at Contemporary Fine Arts in Basel is how the show handles motion and stillness. This solo…
In the HBO series The Leftovers (2014–17), two percent of the world’s population vanishes without warning or explanation. The event,…
The peppered moth was once almost entirely pale, flecked with minute dark spots that camouflaged it against lichen tree bark and stone.…
During our conversation, Mary Stephenson used the phrase “ghost mark” to describe the inerasable traces left by previous marks on her painted…
Writing about Trisha Donnelly’s work feels like a betrayal — or, at the very least, a contradiction in terms. Her…
In 1985, Marxist scholar Silvia Federici wrote a poem dedicated to what she called “the conspiracy theory of history,” rejecting…
Throughout my conversation with Gili Tal, freshly landed back in London after opening her solo exhibition “Soft and Bouncy” (2026)…
It takes more than nine hours to drive from Tokyo to the Noto Peninsula by car. This remote stretch of…
In Giangiacomo Rossetti’s latest exhibition, “Résurrectine” at Mendes Wood DM, Paris, a mysterious yellow glows. Vivid and sickly, the color…