Klára Hosnedlová “embrace” Hamburger Bahnhof, Berlin

Klára Hosnedlová’s “embrace,” which inaugurates three years’ worth of Chanel-sponsored programming in the Hamburger Bahnhof’s main hall, foxes formal categorizing…
Klára Hosnedlová’s “embrace,” which inaugurates three years’ worth of Chanel-sponsored programming in the Hamburger Bahnhof’s main hall, foxes formal categorizing…
I first met Sofia Defino Leiby pre-pandemic, on a bus as part of a crowd, and she mentioned that she…
What are the stakes of insisting upon political hope, in all its felt potential for redeeming past injustices, when progressivism…
Upon first encounter, the work of British-American artist Alexandra Metcalf captivates with its unapologetic femininity. Her paintings have a distinctly…
We held a solo exhibition titled “TEIRE / Repair” (2021) at Whitehouse in Shinjuku. The exhibition centered on repairing the…
“I am not tragic. I am not beautiful. I am not a symbol. I am simply too much — too…
In Kerry James Marshall’s seminal 1986 work The Wonderful One, the figure is an ineffable silhouette: its dimensionality is reduced…
On the Greek island of Tinos, centuries-old dovecotes — white stone towers originally used to harvest pigeon droppings as fertilizer…
If cathode ray blue was the color of the “digital,” and millennial pink that of the “post-digital,” with perhaps a…
The Hammer Museum group exhibition “HEAD FOR THE HILLS!” takes its title from John Knight’s 1974 untitled slide projection piece.…
Immersed in a perpetual hypnagogic state, Sidsel Meineche Hansen’s Grumpy (2025) is an eviscerated yet undead killjoy – an agential…
We live in the shadows of forms. Ideas, perfection of realities made through abstraction. Extracting something’s essence through philosophical clinical…
Mexican artist Karla Kaplun makes work around the construction and functioning of collective memory, and how that unfolds in dynamics…
Time, in “STEADYSTATE,” doesn’t tick — it lingers, loops, and evaporates. The group exhibition at Zero… in Milan, co-curated with…
Moving through Zurich — whether on foot, by bicycle, tram, or car — rarely involves a direct or uninterrupted trajectory.…
Francesco Bonami: Do you still think that Manhattan is the center of the culture of congestion? Rem Koolhaas: It is…