Kayode Ojo “EDEN” 52 Walker, New York
![](/wp-content/uploads/2023/12/kayode8.jpg)
Kayode Ojo’s signature glitter finds its largest stage yet at 52 Walker, where one wall of the sprawling 3,385-square-foot space…
Kayode Ojo’s signature glitter finds its largest stage yet at 52 Walker, where one wall of the sprawling 3,385-square-foot space…
The title of Gray Wielebinski’s exhibition at the ICA is derived from the title of a 1978 essay by Samuel…
In Paul Verhoeven’s film Elle (2016), the main character, played by Isabelle Huppert, runs a gaming company. At a meeting,…
Don’t let the bizarrely vague introductory wall text by curators Klaus Biesenbach and Lisa Botti, which describes Isa Genzken as…
As elegantly simple — and perhaps quintessentially Swiss — a premise to an exhibition as one is likely to encounter:…
In April of this year, the Hammer Museum expanded its real-estate footprint to include a former City National Bank at…
Just as I was walking across the sloping exterior of the Orange County Museum of Art, I remembered that next…
My lone star is dead — and my bespangled lute / Bears the black sun of Melancholia. — Gérard de…
In a poem from the 1970s, Martin Wong, in his angled scrawl, urges a “poisoned garden,” a “temple of dawn,”…
It might be unusual to begin a review by quoting a philosopher who lived some 2,600 years ago, but I…
In Harlem Renaissance writer Richard Nugent’s 1926 story “Smoke, Lilies and Jade,” the narrator remarks that it’s “funny how characters…
“Maybe you are extraordinary, and if you are, leave my temple, it’s a space for average people.” A line from…
“Nuit Américaine,” Marc Camille Chaimowicz’s solo exhibition at WIELS, spans more than five decades, grouping the iconic Celebration? Realife Revisited…
“Chryssa & New York,” currently on view at Dia Chelsea, marks a homecoming that is both institutional and personal. Although…
In a small vestibule painted library green (Benjamin Moore 699), personal artifacts from Barbara T. Smith’s archive, acquired by the…
The risk of partial reception or the flattening of content in thematic, muscular exhibitions like the one presented by the…