Walter Pichler, “Die Bleche und ich gehen heim” Contemporary Fine Arts / Basel
What’s most striking about “Die Bleche und ich gehen heim” at Contemporary Fine Arts in Basel is how the show handles motion and stillness. This solo…
What’s most striking about “Die Bleche und ich gehen heim” at Contemporary Fine Arts in Basel is how the show handles motion and stillness. This solo…
Writing about Trisha Donnelly’s work feels like a betrayal — or, at the very least, a contradiction in terms. Her…
In 1985, Marxist scholar Silvia Federici wrote a poem dedicated to what she called “the conspiracy theory of history,” rejecting…
In Giangiacomo Rossetti’s latest exhibition, “Résurrectine” at Mendes Wood DM, Paris, a mysterious yellow glows. Vivid and sickly, the color…
Tobias Pils’s ambitious exhibition “Shh” at mumok, Vienna, spans three spaces and looks back at a decade of his practice,…
Based in London, trained across the creative industries and art, Fang Liu (Summer) presents a curatorial practice that refuses the…
Cyprien Gaillard is no studio artist. He wanders and finds things. In Munich, he explored the Haus der Kunst, sometimes…
In 2017, Gerhard Richter fulfilled his collectors’ deepest, darkest dream: he announced he was done with painting. That same year,…
Much recent critical theory has been concerned with the following proposition: that although the triumph of reason claims to have…
How do you put a finger on Lutz Bacher? Contemplating this, I walked toward Astrup Fearnley through a pocket of…
On Monday, October 13, 2025, just a few days after I visited Basel Abbas and Ruanne Abou-Rahme’s multimedia installation Prisoners…
Eleanor Antin’s Blood of a Poet Box (1965–68) assembles, quite literally, the blood of a hundred poets: samples on glass…
Recalling, remembering, collecting, and dealing with questions of cataloging, preservation, expertise, musealization, and public presentation with a gaze and a…
Mies van der Rohe’s idea for the Neue Nationalgalerie in Berlin was based on an earlier project for which he…
“People Planet Profit” brings together several groups of works from the past decade, which Peter Fischli has combined into a…
“Magical Realism: Imagining Natural Dis/order” — which reconsiders our relationship to the planet at a time of climate emergency —…