Laura Poitras Whitney Museum of American Art / New York
Against a backdrop of escalating public-private turf wars and ever louder questioning of who owns the data associated with everything…
Against a backdrop of escalating public-private turf wars and ever louder questioning of who owns the data associated with everything…
Painting in its most classical form is Andrew Birk’s most direct and definitive reference in his recent, large-scale, fully immersive…
The very beginnings of something and the debris from its demise can seem interchangeable — perhaps most especially when that…
Thérèse the Philosopher (1748) is an anonymous text that the Marquis d’Argens described as “so filthy that even a seasoned…
The centerpiece of Rochelle Goldberg’s exhibition “The Plastic Thirsty” is a human-size pair of desiccated fish skeletons titled For every…
The necessity to demolish the pictorial gesture and create scaffolding that functions as an energetic Laufstegen between a work in…
A felled beech tree is suspended in the main hall. Swedish artist Henrik Håkansson assumes responsibility for our collective destruction…
Stan Douglas’s new video installation The Secret Agent comprises six projectors and screens arranged in two facing lines of three,…
“Space Shuttle in the Garden” — the first exhibition by Petrit Halilaj in Italy — is a kind of “best…
In her show at the Zabludowicz Collection in London, Jemma Egan examines food as commodity: its production, packaging, presentation and…
In a sort of road show from its originating locale south of the U.S. border, kurimanzutto makes its debut in…
The exhibition halls of the Fondazione Sandretto Re Rebaudengo feel oddly empty when one first enters the capacious former industrial…
More than any other photographer, we are invested in Baudrillard’s words. To separate the texts from the photographs would do…
The group exhibition at Ballroom Marfa, curated by Tom Morton, begins with Damián Ortega’s The Root of the Root (2011–13)…
In Women in Dark Times, Jacqueline Rose discusses the paintings of Charlotte Salomon, a German-Jewish artist who generated hundreds of…
At the beginning of Mette Ingvartsen’s 69 Positions, the audience enters an open, steel-tube cage lined with various performance documentation…