Derek Jarman Amanda Wilkinson / London
Twelve paintings made by Derek Jarman between 1989 and 1990 make up the exhibition “Shadow Is the Queen of Colour”…
Twelve paintings made by Derek Jarman between 1989 and 1990 make up the exhibition “Shadow Is the Queen of Colour”…
Anicka Yi’s first exhibition at Gladstone Gallery presents evidence of hybridization and symbiosis between different forms of life, whether animal…
Lydia Ourahmane’s exhibition “low relief” at Bodega is comprised of a set of sculptures that suggest an emergence of the…
Welcome to the end. The end of world, maybe — though more certainly the end of the exhibition. In a…
Scenes of misery and melancholy, deadpan grotesqueries, and a small Ensorian carnival — and I keep coming back to the…
A new commission by Kunsthal Aarhus, “Host”does precisely what its title suggests: it provides a setting for a film program…
Even if James Lewis’s ideas and use of materials stay the same over time, “Sagas” (all works 2019) represents a…
Last words may seem like an odd way to begin a review, but while visiting Beth Letain’s exhibition “ultrapath” the…
Fourteen30 Contemporary looks out on a single tree, oddly planted on pavement too narrow for its girth. Inside the gallery…
Convened to accompany Bosco Sodi’s concurrent exhibition, “Heavens and the Earth” — also at Blain Southern — this small group show brings together work…
Considering three particular moments in the intersected histories of India, Pakistan, and Bangladesh — the 1905 partition of Bengal within British India,…
The last of the trilogy of exhibitions presented under the rubric “PRE-ORDER I–III,” the first mounted at Kunsthal Aarhus in…
With the exhibition “RGB: Return to the gate following B,” Korean artist Jieun Lim does a lot with very little.…
Ellen Gallagher’s first show in Belgium, titled “Liquid Intelligence,” focuses on her collaboration with Dutch photographer Edgar Cleijne, with whom she produced the…
Focusing on five different female typologies whose only common trait seems to be the letter b, Kris Lemsalu’s encompassing and compelling installation at…
It seems appropriate that Mark A. Rodriguez’s new show should be not altogether new. I know I’ve seen those flowers…