Long Time No See: Trisha Brown’s Set and Reset (1983) at Tate Modern

Dance Office is a column dedicated to contemporary dance and performance art. Collaboration is cocultivation. It’s the merging of two…
Dance Office is a column dedicated to contemporary dance and performance art. Collaboration is cocultivation. It’s the merging of two…
The title of Olivia Erlanger’s exhibition at London’s Soft Opening — “Home is a Body” — brings to mind Louise…
The title of this group exhibition curated by Saelia Aparicio and Harminder Judge—the first at Public Gallery’s Shoreditch space—is taken…
As an individual accustomed to lengthy physical encounters when appraising exhibitions, my first attempt to write a review relying…
Dance Office is a column dedicated to contemporary dance and performance art. “X6 Dance Space (1976–80): Liberation Notes” at London’s…
The title of France-Lise McGurn’s exhibition, “Percussia,” is a fiction, an invented word designed to create atmosphere and set the…
Dance Office is a column dedicated to contemporary dance and performance art. The preserved stained-glass window above the entrance to…
To access Libita Clayton’s immersive sound installation Quantum Ghost (2019), one must enter the space through a cave mouth leading…
Twelve paintings made by Derek Jarman between 1989 and 1990 make up the exhibition “Shadow Is the Queen of Colour”…
Twelve paintings made by Derek Jarman between 1989 and 1990 make up the exhibition “Shadow Is the Queen of Colour”…