Pace Gallery: "Untitled (zip) II – VII" a digital exhibition by William Monk
“Oh bliss, bliss and heaven! Oh, it was gorgeousness and gorgeousity made flesh. It was like a bird of rarest-spun…
“Oh bliss, bliss and heaven! Oh, it was gorgeousness and gorgeousity made flesh. It was like a bird of rarest-spun…
Flash Art Covers: the historic covers of Flash Art International told by Giancarlo Politi. Helena and I were in New…
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
An alarm is sounding in the art world, and it’s become increasingly deafening. The wails of this siren are not…
A column conceived by Hans Ulrich Obrist on his “unrealized projects”. Spanning from exhibitions to publications, from recordings to interviews,…
Growing markets for life coaches and physical and mental hygiene apps suggest that today’s digitally dominated consumerist society is chasing…
Normally every semester the Department of Fine Arts of the Zurich University of the Arts ZHdK presents a series of…
Studio is a series of solo projects that will be presented weekly online by David Zwirner. This series aims to…
The road trip. The startup. The garage band. Americana as we know it was born in the garage. But the…
The Shed is committed to expanding the scope of how a cultural institution can serve its communities, a mission that…
Galerie Perrotin is launching #Unlocked, a series of artist interviews, studio and home visits, podcasts, playlists and virtual exhibition walkthroughs…
Flash Art Covers: the historic covers of Flash Art International told by Helena Kontova. Jeff Koons was an ambitious broker…
Dance Office is a column dedicated to contemporary dance and performance art. Having toured extensively around the UK and Europe…
As an individual accustomed to lengthy physical encounters when appraising exhibitions, my first attempt to write a review relying…