Prospect.3 / New Orleans
Discussing Prospect.3, the New Orleans biennial inaugurated in the aftermath of Hurricane Katrina (that has just announced itself a triennial),…
Discussing Prospect.3, the New Orleans biennial inaugurated in the aftermath of Hurricane Katrina (that has just announced itself a triennial),…
Anthony Symonds is a British fashion designer. The “functional” in his title Functional Sportswear is an ironic pun, meaning both…
The white cube is a system of exhibition practice that lends itself to a myriad of subjectivities that operate within…
As evidence of an ongoing conversation between the curator and the artist, Raimundas Malašauskas invited Jason Dodge to join him…
“Line Bombs” — Delhi-based artist Gagan Singh’s debut solo show at Chatterjee & Lal — exhibited delicate minimal drawings on…
“Niki de Saint Phalle” at the Grand Palais in Paris, like many other blockbuster exhibitions, relies on the artist’s name…
In “Small Museum for the American Metaphor,” curator Kersten Geers calls on a slew of references from architecture, urban studies…
One often hears talk of the impact of the Internet on the evolution of art. While we celebrate the unprecedented…
Russian performance as a medium of expression over the past one hundred years, from the 1913 Futurist opera Victory over…
Unease will creep in when one is openly confronted with guilty pleasures and private vices. Such is the case with…
Traditional art from Asia and Africa served as a nutrient for the growth of traditional Western aesthetics into modernism. And…
Sport is never merely a game; it is a mirror of class habitus, a pool of biopolitical imagery, and a…
Yoshitomo Nara is an artist whose work blends the naivety and mischief of children. At the Dairy Art Centre in…
The photographer Elfie Semotan, Martin Kippenberger’s widow, has said, “I envy painters their ability to completely create their reality.”
Matt Paweski’s small-scale sculptures provide many details to be drawn into. The title makes reference to plaques, corners, windows, screens…
Strauss Bourque LaFrance’s “No Aloha” at Rachel Uffner Gallery is a hallway that leads to a living room. Mesh screen…