Harmony Hammond Alexander Gray / New York
John Everett Millais’s Autumn Leaves, displayed at the Royal Academy in 1856, was understood as a radical departure from normative…
John Everett Millais’s Autumn Leaves, displayed at the Royal Academy in 1856, was understood as a radical departure from normative…
In what is the artist’s stateside debut, staged at Kavi Gupta, painter Manuel Mathieu presents a new body of work…
“Humanas,” featuring Argentinian painter Valentina Liernur and Brazilian video artist Luiz Roque, served to inaugurate Galería Isla Flotante’s new space…
For the thirty-fifth anniversary of Parc de La Villette in Paris, Will Ryman has created an expansive, three-part, site-specific installation…
The Museum of Contemporary Art Belgrade was opened in 1965 at its current location in the area of the city…
Days go by in LA with Dyson-induced existentialism. I stick dripping hands under those drying machines and nothing happens. Automatic…
Gay representation exists in a slippery space between liberation and domination, solidarity and violence, of both socioeconomic and interpersonal dimension.…
With Magali Reus, use-value circulates in a deep recess. In “As Mist, Description,” repressed utility is massaged to the surface;…
For a city not known for its green spaces, Athens is in fact blessed with unassuming archaic parkland in its…
Brandon Ndife’s current solo show at Shoot The Lobster, “Ties That Bind,” looks a little like a tar pit and…
In a politically correct culture, it’s liberating and unnerving to step into Robert Colescott’s exhibition at Blum and Poe, where…
Every Constructivist revival ought to champion children’s education as ferociously as it does primary colors. While states funnel milk money…
Folded sheets of newspaper in which news reports, gossip, and literary texts are juxtaposed with ads can make for a…
On the fifth floor of Rubin & Chapelle’s textile warehouse in Chelsea, Atalay Yavuz presents an array of enigmatically approachable…
What did I bring back from my visit to this exhibition? Most probably the memory of falling asleep three times,…
Cyprien Gaillard’s latest film, titled Nightlife (2015), is not about wild and glamorous parties. The fifteen-minute-long piece, which took the…