Thinking back on the hallucinogenic American postwar art scene, one envisions that hazy confluence of networks and disciplines native to…
Game State is a column by artist Oliver Payne covering the mechanics, aesthetics and ideas of video games. In this…
How do pictures work? This question resonates throughout Francesco Zucconi’s book Displacing Caravaggio. It is a question whose tone is…
Dance Office is a column dedicated to contemporary dance and performance art. Arriving in Sweden in the 1980s, having fled Palestine…
Now in its eighth edition, Berlin Art Week is a victim of its own popularity. Spanning five days (September 11–15),…
A swarm of people gathers in Pioneer Square, the amphitheater-shaped plaza that is Portland’s downtown hub. These thirty or forty…
From the garden behind the gallery, Alex Ayed summons a flock of pigeons that obediently shuffles its way into the…
Each “Calder Story” at Centro Botín is an untold one. More than eighty mobiles, maquettes, and architectural projects are on…
“My mission is to spark joy in the world through tidying,” says a smiling Marie Kondo — the pop-culture tidying guru…
“A community for all the arts … a cultural center for the new age.” This sounds like another Bauhaus centennial…
Non Conventional Modes of Curating is a column focused on idiosyncrasies of the non conventional curatorial practices. Hey, you up?…
Put it this way: what we define as contemporary is mainly connoted by fragility. If we look at projects like…
Movie Night is a column exploring film semiotics and thoughts about moviegoing in general. “Does Madonna drown herself in the…
In her 1992 novel The Secret History, author Donna Tartt details the story of a group of youths studying the classics…
How can a young Israeli relate to the memory of the Holocaust without the risk of falling into the twofold…