Alex Ayed B7L9 / Tunis
From the garden behind the gallery, Alex Ayed summons a flock of pigeons that obediently shuffles its way into the…
From the garden behind the gallery, Alex Ayed summons a flock of pigeons that obediently shuffles its way into the…
Each “Calder Story” at Centro Botín is an untold one. More than eighty mobiles, maquettes, and architectural projects are on…
“My mission is to spark joy in the world through tidying,” says a smiling Marie Kondo — the pop-culture tidying guru…
“A community for all the arts … a cultural center for the new age.” This sounds like another Bauhaus centennial…
Non Conventional Modes of Curating is a column focused on idiosyncrasies of the non conventional curatorial practices. Hey, you up?…
Put it this way: what we define as contemporary is mainly connoted by fragility. If we look at projects like…
Movie Night is a column exploring film semiotics and thoughts about moviegoing in general. “Does Madonna drown herself in the…
In her 1992 novel The Secret History, author Donna Tartt details the story of a group of youths studying the classics…
How can a young Israeli relate to the memory of the Holocaust without the risk of falling into the twofold…
How does one write a review for a “project” like the Venice Biennale, which includes an international mega-exhibition alongside a…
As a musician, artist, poet, photographer, and filmmaker, Lee Jaffe has lived many lives in different countries. What has always…
“Shoegaze” is a series of exhibitions taking place at the Italian Cultural Institute in Stockholm, in partnership with Konstfack. Envisaged…
Dance Office is a column dedicated to contemporary dance and performance art. If there is a common element in recent experimental…
Depicted today, Jean-Jacques Rousseau’s “noble savage” would have a stylist. Perhaps more than one. This cynical statement prompts us to…
Charlie Fox, author of the spellbinding collection of essays This Young Monster (2017), has created an exhibition that — with its…