Ed Atkins: Alchemies of Incantation
A Performa 19 commission, Ed Atkins’s A Catch Upon the Mirror is a live performance that manifests under a different…
A Performa 19 commission, Ed Atkins’s A Catch Upon the Mirror is a live performance that manifests under a different…
The Venice Biennale opened in the same week as the first edition of the OsloBiennalen. But while the former will…
Korakrit Arunanondchai’s Together, created in collaboration with boychild and Alex Gvojic, is a live cinematic installation that calls itself a…
Entering the gallery I encounter a huge canvas, so large that it occupies an entire wall — tall enough to…
A collaborative live performance by Paul Maheke, Nkisi, and Ariel Efraim Ashbel, co-commissioned by Performa, Abrons Art Center, and Red…
Dance Office is a column dedicated to contemporary dance and performance art. The preserved stained-glass window above the entrance to…
The title of the second Okayama Art Summit is a half-formulated hypothesis: “If the Snake.” I guess we’ll never know.…
A gang of avant-gardists wants to have a utopian impact on Singapore society. They hope to shape the present world…
Is it the elephant in the room or a non-issue that the Garage Museum is funded by fossil-fuel, given that…
Thinking back on the hallucinogenic American postwar art scene, one envisions that hazy confluence of networks and disciplines native to…
Game State is a column by artist Oliver Payne covering the mechanics, aesthetics and ideas of video games. In this…
How do pictures work? This question resonates throughout Francesco Zucconi’s book Displacing Caravaggio. It is a question whose tone is…
Dance Office is a column dedicated to contemporary dance and performance art. Arriving in Sweden in the 1980s, having fled Palestine…
Now in its eighth edition, Berlin Art Week is a victim of its own popularity. Spanning five days (September 11–15),…
A swarm of people gathers in Pioneer Square, the amphitheater-shaped plaza that is Portland’s downtown hub. These thirty or forty…