(I), Ellipse. B. Ingrid Olson
One image, slid. Something like cleavage, crumpled, diminishes into the groin. One image, synthesized. She is hard, interstice furling interstice,…
One image, slid. Something like cleavage, crumpled, diminishes into the groin. One image, synthesized. She is hard, interstice furling interstice,…
St. Sebastian is a kinky pussyboy, or a honeytrap. Spank me, Blasphemy! Beamed into a bucolic, peachy saturnalia, his cock-ringed,…
“Now” is already too late and, in its lateness, a lie: the utterance of now is a now no longer.…
Across Neverland terrains, we catch a fade. Words break off its surface with the slimmest shiver, its occurrence a blink.…
Recall those nectarine swathes basking in abeyance. Quenching, their tipped menisci urge semantic gushing. Coralline registrations: scores of quince, milky…
Again: does productivity know what it’s named, maybe it calls itself identity?1 That spinning coin, productivity and identity, ever flickering.…
What do you dream of When life’s not given?1 Venus crushes. Peony-dense, obliterating human experience in compacted flusters of sheer…
I relish that no one knows the time one may put into solitude. Yours, mine, alone. One’s interior life is…
“X” speaks of cryptic notice: a point slyly declarative and deliberately obscuring. Beyond codification, “X” is a teasing mark of…
Obliquely affiliated with the Pictures Generation of the 1980s, Gretchen Bender’s fierce use of film and television as source material…
Even in description there is a kind of consumption; it is, in part, an inevitable fate for a review: to…
In what ways is a mind a body? The one inextricably feeds the other, yes, but there are many minds…
The fragment involves an ambiguous altercation between singularity and dispersal, atomized integrity, and fracturing action. A fragment, like fragmentals, is…
There is a way of speaking that implicates a body in everything on earth. It may affirm transitory fixity where…
All for the little nature of water lilies, Claude Monet developed a portion of land and diverted a narrow arm…
The surfaces of Alice Channer’s sculptures actualize both evidence and emergence: evidence in their exposure of polyphonic, contaminating processes; and…