Sidsel Meineche Hansen Chisenhale gallery / London

“Welcome to End-Used City” continues Sidsel Meineche Hansen’s ongoing consideration of techno-capitalism’s stranglehold on biopolitics. The focus here is the…
“Welcome to End-Used City” continues Sidsel Meineche Hansen’s ongoing consideration of techno-capitalism’s stranglehold on biopolitics. The focus here is the…
Saturation occurs once again, the city drenched in expos, events, and itinerant first-timers. Given the slight period in which to…
Used as the final shelter, the keep — a fortified tower common to castles of the Middle Ages — performs…
Morag Keil’s practice is ouroboric: self-referring, self-erasing, self-consuming, regurgitating. Glazed duffel bags and rucksacks slump like prolapsed black guts: damp,…