Cerith Wyn Evans “No realm of thought… No field of vision” White Cube / Bermondsey
If the stark, ascetic coda of Cerith Wyn Evans’s sculptures disintegrates under anything it is the sensuality of optics. Diluting…
Alex Bennett
Ian Law “Drips the room” Piper Keys / London
In She’ll (2013/2020) a room becomes a plinth; it is a replica of the internal dimensions from Ian Law’s bathroom…
Sean Steadman “1,000,000,000,000” Project Native Informant / London
Roiling space, deep time, off radar. Some kind of churning galactic volume is given over, like nakedness or the way…
Jessi Reaves Herald St / London
Jessi Reaves’s New outfit standing container (all works 2019) is a darkling. Three antilopine console legs support an upturned, cankered…
Sidsel Meineche Hansen Chisenhale gallery / London
“Welcome to End-Used City” continues Sidsel Meineche Hansen’s ongoing consideration of techno-capitalism’s stranglehold on biopolitics. The focus here is the…
Paris Roundup 2019
Saturation occurs once again, the city drenched in expos, events, and itinerant first-timers. Given the slight period in which to…
Lewis Hammond Arcadia Missa / London
Used as the final shelter, the keep — a fortified tower common to castles of the Middle Ages — performs…
Morag Keil Institute of Contemporary Arts / London
Morag Keil’s practice is ouroboric: self-referring, self-erasing, self-consuming, regurgitating. Glazed duffel bags and rucksacks slump like prolapsed black guts: damp,…