Naeem Mohaiemen SALT Beyoğlu / Istanbul
Considering three particular moments in the intersected histories of India, Pakistan, and Bangladesh — the 1905 partition of Bengal within British India,…
Considering three particular moments in the intersected histories of India, Pakistan, and Bangladesh — the 1905 partition of Bengal within British India,…
The last of the trilogy of exhibitions presented under the rubric “PRE-ORDER I–III,” the first mounted at Kunsthal Aarhus in…
With the exhibition “RGB: Return to the gate following B,” Korean artist Jieun Lim does a lot with very little.…
Ellen Gallagher’s first show in Belgium, titled “Liquid Intelligence,” focuses on her collaboration with Dutch photographer Edgar Cleijne, with whom she produced the…
Focusing on five different female typologies whose only common trait seems to be the letter b, Kris Lemsalu’s encompassing and compelling installation at…
It seems appropriate that Mark A. Rodriguez’s new show should be not altogether new. I know I’ve seen those flowers…
The delicate relationship between sculpture and object permeates Isa Genzken’s solo exhibition at Kunsthalle Bern. All of Genzken’s research on…
Among the many figures of Italian art of the past century, one of the most internationally famous is, without a…
In the 1980s, Charlemagne Palestine set up the Ethnology Cinema Project to preserve the audio-visual materials of disappearing cultures. The…
The title of the 2019 exhibition program of Helsinki’s Museum of Contemporary Art Kiasma is “Here You Are,” and it…
The term “immersion” was probably the most overused word in the art world last year, often connected to concepts of…
Used as the final shelter, the keep — a fortified tower common to castles of the Middle Ages — performs…
Morag Keil’s practice is ouroboric: self-referring, self-erasing, self-consuming, regurgitating. Glazed duffel bags and rucksacks slump like prolapsed black guts: damp,…
How much control do we really have over who sees us, how, and when? Known for her video sculptures, which…
Zeitz MOCAA opened in September 2017 to rave architectural reviews and a barrage of institutional critique. Like a used-car salesperson…
Spearheaded by what is essentially a collaborative duo, Italian curator Francesco Manacorda and Taiwanese artist Mali Wu, the eleventh edition…