Heidi Bucher "Metamorphoses I" Kunsthalle Bern
When the word skin is verbalized — to skin — the associations with this outer layer of the body start…
When the word skin is verbalized — to skin — the associations with this outer layer of the body start…
One is a critic because one has never felt affirmed (Barbara Kruger never speaks in the third person). There is…
The eightieth iteration of the Whitney Biennial is subtitled “Quiet as It’s Kept,” an expression curator Adrienne Edwards remembers her…
The advent and proliferation of technologies that encourage practices of accumulating and storing information has precipitated a contemporary preoccupation with…
Plank Piece I and II (1973), a black-and-white photographic diptych showing the young Charles Ray’s body pinned against the wall…
When Michael Fried published his notorious essay “Art and Objecthood” (1967), he likely did not expect “theatricality” to become such…
I usually say that an exhibition is not a book on the walls. For once, I was wrong. Zoe Leonard’s…
Caroline Kent’s installation at the MCA Chicago comprises two dimly lit spaces dressed to evoke studies: one space includes an…
People want to see images that reflect their reality, but media distortions and the pace of digital technology have warped…
For all the mythology that dogs the legacy of Steven Parrino, two decades after his death at the age of…
It goes without saying that sound as an artistic medium has a rich and varied history; think only of the…
The fragment involves an ambiguous altercation between singularity and dispersal, atomized integrity, and fracturing action. A fragment, like fragmentals, is…
Over the course of nearly seven decades, Jasper Johns has produced some of the most iconic art in America and…
With the opening of his latest exhibition, “New Era,” at the Museum of Contemporary Art in Sydney, American artist Doug…
Antigone, product of the incestuous entanglement of King Oedipus and his mother in ancient Greek myth and tragic heroine of…
Amid the nonlinear room scarved out of an aseptic and at times invisible set design, I couldn’t help but wonder…