Aïshti Foundation / Beirut
The opening of the Aïshti Foundation in Lebanon in the last week of October was a major event in the…
The opening of the Aïshti Foundation in Lebanon in the last week of October was a major event in the…
The second installment of the Swiss Institute’s “Annual Architecture and Design Series,” proposes a re-interpretation of the historical premises behind…
Founded in July 2013 and located near Shanghai’s historic Bund area, BANK functions as the offices and studio of MABSOCIETY,…
The paradoxical title of Karl Holmqvist’s exhibition “MEN ARE WOMEN,” on view at Freedman Fitzpatrick in Los Angeles, contains a…
The 2015 Jakarta Biennale, titled “Maju Kena, Mundur Kena: Bertindak Sekarang” [Neither Forward nor Back: Acting in the Present], runs…
I recently exchanged a series of e-mails with German fashion designer Bernhard Willhelm in hopes of discussing his recent studio…
Hosted within the elegant interiors of Villa Paloma, one of NMNM’s two venues, this exhibition offers a unique reading of…
Associate curator Charles Aubin discusses the sixth edition of Performa 15 in New York, which gets underway on November 1…
Curated by Massimiliano Gioni and produced by the Trussardi Foundation for Milan’s Palazzo Reale, “La Grande Madre” imposes its visual…
Sadie Coles first opened her eponymous gallery in 1997, with two concurrent shows, one of John Currin, the other of…
Krszysztof Kieślowski captured the labyrinthine passages underneath Warsaw’s city center in his television feature Pedestrian Subway. It was 1973.
It’s easy to imagine a computer-generated art-speak press release for Willa Nasatir’s debut solo exhibition at White Columns in New…
Beginning with an analysis of the ideology of the performer’s ability on stage, the collective book Disabled Theater, published by…
Outside Galerie Perrotin, an unlikely element of Johan Creten’s exhibition was exposed high above Madison Avenue. As many galleries do,…
For twenty-three-year-old rapper Angel Haze, gender pronouns are more restrictive than descriptive.
Wang Sishun’s collaboration with New Galerie, Paris, supported by collector John Dodelande, started in a rather peculiar way: with an…