Mario García Torres TBA21 / Augarten, Vienna
Mario García Torres usually pillages the repertoire of 1960s Conceptual art with an array of reenactments, covers and appropriations, but…
Mario García Torres usually pillages the repertoire of 1960s Conceptual art with an array of reenactments, covers and appropriations, but…
We are pleased to announce that the September – October 2016 issue of Flash Art International is out now.
Krakow’s MOCAK presents a gargantuan international show of everything we don’t want to see, telling us everything we don’t want…
Martin Creed’s solo exhibition at Hauser & Wirth Somerset is hard to contain. The result of a two-month residency at…
I once got in a terrible fight with an ex wherein he told me he wanted to be a composer,…
“The Keeper” assembles personal archives and artworks, documentation and curios; it addresses the human desire to collect and preserve, as…
The theme of this year’s Architecture Biennale, “Reporting from the Front,” focuses on the tangible effects architects can have on…
One year into Garage Museum’s new life at its Gorky Park location, an Urs Fischer show opens: “Small Axe.” The…
“What is a myth? If you were to ask an American Indian, it is very likely that he would answer:…
From Homer to James Joyce, the peripatetic journey of Ulysses underlied “I Will Go Where I Don’t Belong,” the sixth…
Against the deafening background noise that accompanies the 9th Berlin Biennale, it is good to know that there’s a place…
What catches my eye first upon landing at Ben Gurion International Airport, and after having been asked twice if I…
Absent from Roberto Burle Marx’s monographic exhibition in New York are materializations of what he was known to create: abstract…
The capitalization in COOL FOR YOU is important. The artist behind the moniker, the Berlin-based producer also known as Vika…
On the occasion of the group show “El Cuor No Se Vende” at the Historical Archives Museum of Hydra, Flash…
Matter is the crucial element of the practices presented in this exhibition curated by Margarida Mendes. Besides being the subject…