Slavs and Tatars NYUAD Art Gallery / Abu Dhabi
“Every joke is a tiny revolution,” wrote George Orwell, implying that funny means somehow upsetting the established order.
“Every joke is a tiny revolution,” wrote George Orwell, implying that funny means somehow upsetting the established order.
How is history written? Of what is it composed? Whose documents, journals and diaries are borrowed from when carving out…
“I can see you with my eyes closed. Can you see me as clearly?” This seems to be the question…
“Privacy to me is mourning,” Danh Vo once observed in an interview¹, “mourning for the loss of it.” This dispirited…
Found-object sculpture tends towards a materialism that highlights what objects bring with them when they come under the auspices of…
At first glance, the show is unified more by palette and an economy of gesture than by medium.
For her first solo show at Praz-Delavallade Gallery in Paris, Amanda Ross-Ho has gathered a selection of fifteen new works:…
Theodora Allen’s paintings have the lived-in feel of worn denim or vintage t-shirts. They are executed in light hues of…
It’s a truism that nothing dates faster than pop culture.
Resembling a clinical laboratory abandoned mid-experiment during a power outage, Anicka Yi’s “You Can Call Me F” activated every cubic…
At the turn of the 20th century, when the house was still the principal stage for social relationships, home economics…
In her exhibition “Arada” at Guijarro de Pablo Gallery, the petate is a central object of exploration through which Maria…
What happens when a painting comes to define a nation? You cover it up. Such is the case with The…
“Some work” is a survey of Eric Wesley’s practice from the past decade, accompanied by a few semi-new pieces, most…
In 1793, during the French Revolution, the French government introduced the French republican calendar — part of a widespread nostalgia…
The work of Pablo Vargas Lugo is unapologetically intellectual yet imaginatively playful. His latest solo exhibition, “Micromegas,” is no departure…