Olivia Erlanger "Home is a Body" Soft Opening / London

The title of Olivia Erlanger’s exhibition at London’s Soft Opening — “Home is a Body” — brings to mind Louise…
The title of Olivia Erlanger’s exhibition at London’s Soft Opening — “Home is a Body” — brings to mind Louise…
Jean-Marie Appriou’s latest exhibition at Clearing Gallery, Brooklyn, is an invitation to ponder the significance and relevance of the archetypal…
“Uncanny Valley: Being Human in the Age of AI” has brought together some of the best of the current generation…
The Kunsthalle Bern is empty again. All of the windows are open. The lights are out, and white walls and…
The title of this group exhibition curated by Saelia Aparicio and Harminder Judge—the first at Public Gallery’s Shoreditch space—is taken…
Inquiring Nuns (1968), the American answer to Edgar Morin and Jean Rouch’s 1961 cinéma vérité classic Chronique d’un été, features…
Tarmak22 takes its name from the nearby airfield, the runway so close that the take off and landing of jets…
On March 8, 2020, shortly before lockdown brought Paris to a halt, more than sixty thousand people took to the…
In the rearrangement of distance one finds a slippery continuum across Rachel Rose’s liminal and alchemical work. Distance, which determines…
On the occasion of their two-person show at Galeria Duarte Sequeira, Athens-based artists Lito Kattou and Petros Moris present a…
The key to “Another Look” isn’t where you’d expect. It’s not bronze sculptures Sitzende Bandfigur (Rundprofil) (1983), Schreitender (Halbprofil) (1966/99),…
When visitors step inside Fahrenheit Madrid, they immediately find themselves bathed in the Byzantine glow of walls and ceilings dressed…
The sacred transgender ascetics of Hindu-Jain tradition – known as Kinnar Sadhus – occupy a singular position within our combative…
In the face of it: rain shower, blustering waves and foreseeable spume, the sea soon cast the wetness of time…
Ordinary humans do not live in their time; with their feeble instincts, they can only sense it. They live in…
“How can a score be a call and tool for decolonization?” This is the question asked by co-curators Candice Hopkins…