Bryce Kroll “Hard Copy” Lubov / New York
Developed to transfer documents via telephone, the fax machine (facsimile) scans and transmits material that results in a copy of…
Developed to transfer documents via telephone, the fax machine (facsimile) scans and transmits material that results in a copy of…
In 1985, Grace Glueck wrote of the New York exhibition “Robert Smithson: The Early Work: 1959–1962” — which was the…
The sibilance of camera shutters fills the gallery for fifteen seconds every forty. This hiss was drowned out by the…
To delve into Coco Fusco’s practice, it may be better to start at the end. Over the past three decades,…
Your eye longs for a certain object to return, and suddenly that object reappears in the composition. You glimpse it…
Released thirty years ago, the American feel-good film The Big Chill (1983) by Lawrence Kasdan quickly became a cult favorite.…
Croatia-based artist Maja Čule’s new work Electronic Witches (2023), a multichannel video installation currently on view at Arcadia Missa, London,…
Having been awarded the Camden Art Centre’s 2022 Emerging Artist Prize at Frieze, Marina Xenofontos now presents “Public Domain,” her…
At Franco Noero in Turin, Anna Boghiguian disrupts, conflates, and transgresses the indisputable quality of the Western canon through interplays…
Across the top floor of Museion, the contemporary art institution in the Tyrolean town of Bolzano, booms the ghostly echo…
The starting point for Tino Sehgal’s new work This youiiyou (2023) — whose very title suggests a mirroring effect —…
Over the last few years, the legacy of artist Hudinilson Jr. has undergone a significant transformation in his native Brazil,…
“What is the meaning of life? That was all — a simple question; one that tended to close in on…
The title of Morag Keil’s exhibition at Jenny’s, “Needs & Wants,” begs the question: What does this artist need and…
In “Mirror, Mirror on the Wall,” a text by Emma Frith that accompanies Ellie Pratt’s exhibition “Taste Maker,” the author…
During my first visit to Nairy Baghramian’s survey “Jupon de Corps,” at the Aspen Art Museum, I felt privy to…