Simon Fujiwara “Once Upon a Who” Esther Schipper / Berlin

Simon Fujiwara’s “Who the Bær” character would surely indulge Marshall McLuhan’s “gadget lover,” caressing them feverishly, in the same way…
Simon Fujiwara’s “Who the Bær” character would surely indulge Marshall McLuhan’s “gadget lover,” caressing them feverishly, in the same way…
Originating from the Greek, kakos (“bad” or “evil”) and topos (“place”), a cacotopia is a dystopian world characterized by social…
“The Skin, Body, and I” is a comprehensive overview of the Istanbul period of İpek Duben’s oeuvre, covering an impressive…
Engineered by Germany-based art collective Omsk Social Club and UK-based artist Joey Holder, “Memeplex™” — a twelve-artist group exhibition at…
There is a way of speaking that implicates a body in everything on earth. It may affirm transitory fixity where…
Sonia Kacem’s exhibition at Museum Haus Konstruktiv starts with large, gatelike semicircular structures that frame the entryways to the first…
Throughout his six-decade-long career, Tony Conrad tenaciously challenged systems and boundaries, media and aesthetic categories, using any supposed limitation as…
Through three contrasting series presented at MASSIMODECARLO, Sanford Biggers demonstrates an understanding of history as a syncretic, participatory act. Made up…
Currently on view at Schinkel Pavillon, Berlin, the oft-termed “unlikely” dual presentation of works by the late Swiss surrealist artist…
In addition to curiosity and courage, imagine the depths of desire that once drove the first expeditions into foreign territories…
“The idealist aesthetic uses the idea of a static, ‘everlasting’ nature, and an a priori assumption of an existence of…
The manner of autoreduction that Dora Budor has applied to the processuality of her “solo” exhibition in the project space…
When I met Cudelice Brazelton for a coffee a few months ago, he was carrying a copy of Sin (1986)…
Has the pandemic helped us to understand that we share this world? The air, the aerosols, the bacteria, the viruses?…
In the summer moments closest to the solstice, I think nothing of the sunlight stretching on. During the deepest recesses…
Ingeborg Bachmann’s Malina opens with a clear delineation — “Time: Today; Place: Vienna” — before commencing, “But I had to…