Ariana Papademetropoulos “Unweave a Rainbow” Vito Schnabel Projects / New York
Ariana Papademetropoulos’s latest show at Vito Schnabel Projects is a soft, immersive experience that takes the viewer on a metaphorical…
Ariana Papademetropoulos’s latest show at Vito Schnabel Projects is a soft, immersive experience that takes the viewer on a metaphorical…
Carmen Herrera often gets labeled a “hard-edge” abstractionist. It’s easy to understand why: the 105-year-old Cuban-American must be the only…
Lightly saturating Peter Kilchmann’s Zurich gallery with color-blocked walls, wallpapers, and framed images of varied sizes and types, Shirana Shahbazi’s…
If, in a certain place, houses are made one way and barns are made another, there is a reason for…
In Josef Strau’s production one glimpses, in filigree, a laborious and jittery tectonic adjustment, a balancing act between — to…
Hollywood often portrays sanatoriums as cold, clinical places — just think of One Flew Over the Cuckoo’s Nest or, more…
Alexandra Bircken’s sculpture manifests from abundance: bronze, branch, thread, wax, steel, motorcycle, with equally diverse treatments: woven, stretched, dissected, dissevered,…
Paljassaare means “naked island.” The peninsula visible across the water from Kai was called that because there used to be…
Among the most elusive artists of the 1970s European art scene, Emilio Prini has systematically worked on subtraction and withdrawal.…
That Suellen Rocca conceived of this exhibition at Secession before dying unexpectedly in March of this year adds to its…
The title of Olivia Erlanger’s exhibition at London’s Soft Opening — “Home is a Body” — brings to mind Louise…
Jean-Marie Appriou’s latest exhibition at Clearing Gallery, Brooklyn, is an invitation to ponder the significance and relevance of the archetypal…
“Uncanny Valley: Being Human in the Age of AI” has brought together some of the best of the current generation…
The Kunsthalle Bern is empty again. All of the windows are open. The lights are out, and white walls and…
The title of this group exhibition curated by Saelia Aparicio and Harminder Judge—the first at Public Gallery’s Shoreditch space—is taken…
Inquiring Nuns (1968), the American answer to Edgar Morin and Jean Rouch’s 1961 cinéma vérité classic Chronique d’un été, features…