Superscript Walker Art Center / Minneapolis
A number of very young women came up to me over the course of Superscript, the two-day conference on the…
A number of very young women came up to me over the course of Superscript, the two-day conference on the…
The state of the world is mapped out in every direction in Venice. The national pavilions that dot the perimeter…
Like many Palestinians, artist Emily Jacir has a conflicted relationship with the notion of “site.” Much of her practice examines…
If there is a hint of irony to be found in Okwui Enwezor’s curatorial approach for the international exhibition of…
“The 1990s were Barcelona’s decade, the 2000s Berlin’s. This decade is Milan’s.” With these words Dario Franceschini, Minister of Culture,…
Forty-seven galleries officially took part in this year’s Gallery Weekend Berlin, and though this number is down by a few…
It can be difficult to separate the work of Charles Atlas from that of his subjects: for four decades, he’s…
“The Sharjah Biennial,” an editor of mine once opined, “has always been political, in a quiet way.” This year’s Sharjah…
How many art fairs can you pack into a week? In New York this past week there were at least…
Ranked the eighth richest city in the world despite a 45.5% national poverty rate, it may be no surprise that…
What immediately struck me upon entering the third edition of the Los Angeles Art Book Fair was the intensity. Organized…
Torrential rain welcomed participants to the second World Biennial Forum. Inside the Ciccillo Matarazzo Pavilion, where all São Paulo Biennials…