Burning Los Bar / Wonder Valley
It took about fifteen minutes from the hurling of the first Molotov cocktail for Los Bar to reduce completely into…
It took about fifteen minutes from the hurling of the first Molotov cocktail for Los Bar to reduce completely into…
After the occupation of the Guggenheim’s local branch during the opening week of the Biennale, the Gulf Labor Artist Coalition…
It may sound like a rather quirky idea to begin the latest edition of the Momentum Nordic Biennial of Contemporary…
Speaking about the Americas in the context of contemporary art is complex and problematic when geography does not necessitate a…
Newman is a festival in a forest, in a town without a train station. It’s the first but hopefully not…
Moscow’s cultural avant-garde may not be in the hands of the contemporary art system. For many, this could be difficult…
A number of very young women came up to me over the course of Superscript, the two-day conference on the…
The state of the world is mapped out in every direction in Venice. The national pavilions that dot the perimeter…
Like many Palestinians, artist Emily Jacir has a conflicted relationship with the notion of “site.” Much of her practice examines…
If there is a hint of irony to be found in Okwui Enwezor’s curatorial approach for the international exhibition of…
“The 1990s were Barcelona’s decade, the 2000s Berlin’s. This decade is Milan’s.” With these words Dario Franceschini, Minister of Culture,…
Forty-seven galleries officially took part in this year’s Gallery Weekend Berlin, and though this number is down by a few…
It can be difficult to separate the work of Charles Atlas from that of his subjects: for four decades, he’s…
“The Sharjah Biennial,” an editor of mine once opined, “has always been political, in a quiet way.” This year’s Sharjah…
How many art fairs can you pack into a week? In New York this past week there were at least…
Ranked the eighth richest city in the world despite a 45.5% national poverty rate, it may be no surprise that…