Jackie Winsor MAMCO / Genève

When Michael Fried published his notorious essay “Art and Objecthood” (1967), he likely did not expect “theatricality” to become such…
When Michael Fried published his notorious essay “Art and Objecthood” (1967), he likely did not expect “theatricality” to become such…
I usually say that an exhibition is not a book on the walls. For once, I was wrong. Zoe Leonard’s…
Caroline Kent’s installation at the MCA Chicago comprises two dimly lit spaces dressed to evoke studies: one space includes an…
People want to see images that reflect their reality, but media distortions and the pace of digital technology have warped…
For all the mythology that dogs the legacy of Steven Parrino, two decades after his death at the age of…
It goes without saying that sound as an artistic medium has a rich and varied history; think only of the…
The fragment involves an ambiguous altercation between singularity and dispersal, atomized integrity, and fracturing action. A fragment, like fragmentals, is…
Over the course of nearly seven decades, Jasper Johns has produced some of the most iconic art in America and…
With the opening of his latest exhibition, “New Era,” at the Museum of Contemporary Art in Sydney, American artist Doug…
Antigone, product of the incestuous entanglement of King Oedipus and his mother in ancient Greek myth and tragic heroine of…
Amid the nonlinear room scarved out of an aseptic and at times invisible set design, I couldn’t help but wonder…
On the occasion of a donation by the private collection and curatorial platform Modern Forms, London, the Stedelijk Museum, Amsterdam,…
An unfinished, abandoned beachside resort, where nature has subsumed man-made limestone and concrete structures, provides inspiration for resplendent, imaginary landscapes…
Martine Syms’s video art, photographs, and autobiographical fiction are anchored by a first-person narrator — with all her potential for…
Imagining a direct dialogue with the sea while walking through the rooms of Fondation Carmignac, as the title suggests, is…
Selina Opong, Policewoman #10 (c. 1954), in the crisp uniform of a new generation of professional Ghanaian women, stands to…