Alice Neel “People Come First” The Met Museum / New York
The exhibition “Alice Neel: People Come First” at the Metropolitan Museum of Art is the first New York museum retrospective…
The exhibition “Alice Neel: People Come First” at the Metropolitan Museum of Art is the first New York museum retrospective…
“Hartung 80” is the third exhibition that Perrotin has devoted to Hans Hartung — following those held in New York…
I was once told by a nurse, “If there is a pill for it, take it.” I was a teen…
The song “In My Room,” after which Hannah Quinlan and Rosie Hastings have titled their debut institutional show — a…
“The city was the sign of capital: it was there one saw the commodity take on flesh — take up…
British artist Phyllida Barlow had her late-blooming international breakthrough only after her retirement as a professor at the Slade School…
The surfaces of Alice Channer’s sculptures actualize both evidence and emergence: evidence in their exposure of polyphonic, contaminating processes; and…
Joey Holder’s exhibition complicates the concept of a “net-zero carbon” economy by which corporations can offset their carbon footprint. Current…
At first blush, the wound appears amoeboid. Afloat in decontextualized, atemporal amber, its charred kohl perimeter the blackness of clotting.…
At the turn of the millennium, Guillaume Dustan was a spark plug of queer issues. His autofictional debut novel made…
David Hammons’s “body prints,” his early works on paper, are a groundbreaking series that launched the artist’s career. The technique…
In the group exhibition “Homecoming: The Aesthetic of the Cool” — which presents the work of three Ghanaian portraitists, Otis…
The semiotics of the color green are not always immediately understandable. For all its cross-cultural signifiers — as a marker…
A good novel can give one a feel for an idea as if it were a flesh-and-blood person. In this…
In this seductive two-person show, taking its cue from John Berger’s 1971 essay “Field,” two artists working in seemingly different…
In recent years, border traffic between contemporary art and new media has done little more than inject periodic shots of…