Samara Golden Yerba Buena Center for the Arts / San Francisco
In Samara Golden’s “A Trap in Soft Division,” her largest exhibition to date, the cyclical confinement of the present moment…
In Samara Golden’s “A Trap in Soft Division,” her largest exhibition to date, the cyclical confinement of the present moment…
Throughout DAS INSTITUT’s latest self-titled show, currently at the Serpentine Sackler Gallery, the body is suggested, performed, dissected and expanded…
When Paul Valéry viewed Stéphane Mallarmé’s poem “Un coup de dés jamais n’abolira le hasard” for the first time, he…
“Nervous Systems: Quantified Life and the Social Question” is about the manifold nature of human activity, specifically in terms of…
The flap of a butterfly’s wing in one location — or so the theory goes — may bring about a…
Anyone Knows How It Happened (Headboard for One) (2016), is the most formally straightforward work in Jessi Reaves’s solo exhibition…
Cutting across national borders erected in the aftermath of World War I, Tristan Tzara’s publication Dadaglobe was to be the…
Against a backdrop of escalating public-private turf wars and ever louder questioning of who owns the data associated with everything…
Painting in its most classical form is Andrew Birk’s most direct and definitive reference in his recent, large-scale, fully immersive…
The very beginnings of something and the debris from its demise can seem interchangeable — perhaps most especially when that…
Thérèse the Philosopher (1748) is an anonymous text that the Marquis d’Argens described as “so filthy that even a seasoned…
The centerpiece of Rochelle Goldberg’s exhibition “The Plastic Thirsty” is a human-size pair of desiccated fish skeletons titled For every…
The necessity to demolish the pictorial gesture and create scaffolding that functions as an energetic Laufstegen between a work in…
A felled beech tree is suspended in the main hall. Swedish artist Henrik Håkansson assumes responsibility for our collective destruction…
Stan Douglas’s new video installation The Secret Agent comprises six projectors and screens arranged in two facing lines of three,…
“Space Shuttle in the Garden” — the first exhibition by Petrit Halilaj in Italy — is a kind of “best…