Vlatka Horvat
Agnieszka Gratza: Am I right in thinking that there has been a shift away from the representation of the human…
Agnieszka Gratza: Am I right in thinking that there has been a shift away from the representation of the human…
Donatien Grau: This idea of the body of the text is really important in your work… Michael Dean: All my…
Patrick Steffen: You sometimes recast existing plays or re-enact existing dialogues or scenes. Should I understand from this that reality…
Jan Tumlir: In your latest paintings there are forms we identify as “figures,” simply because they are bounded by contour lines…
In 2009, Brigid Mason produced a painting titled Saudades (Our Chair is the Same). The painting depicts two wooden chairs,…
Many contemporary painters work in a conceptualist vein, building a practice around modular motifs. Paul Branca is no exception. But…
Patrick Steffen: There’s always a giant leap between your last work and the next one. Melodie Mousset: I am not preaching…
Andreas Schlaegel: Your works appear to communicate exceptionally well in images. Vanessa Safavi: I suppose so, but it also has…
Christine Macel: Over the last two years you have had many shows and performances — among others, at MAC Lyon; MoMA…
Patrick Steffen: I think of you as wild and prolific. Candice Lin: Wildness, or “going gaga” (to use a relevant…
István Csákány is a young Hungarian artist known for his megalomaniacal working methods. His works are usually large-scale enterprises, highly…
Matt Paweski makes domestically scaled works. The works are modest accumulations of basic wood- and metal-shop techniques — the methods…
As the opening sequence of Gossip Girl plays on repeat on a forty-inch flat-screen TV, the voice of the series’…
Lauren Mackler is in a flurry of production. “Public Fiction (the museum of)” — her curating platform centered on literature,…
Recent works by Egyptian artist Basim Magdy (b. 1977), his films in particular, put me in the mind of Zaat…