#329 February – March 2020
COVER → Special project for Flash Art: Maurizio Cattelan, LARRY, 2019. Collage. Photography by Paige Powell. ON VIEW → International exhibitions…
Search Results for Maurizio Cattelan
#Letter from the Editors
Dear Reader, “I grew up thinking images were facts. I now have the impression that images are like memories. They…
#Art Basel Miami 2019
Midway through my three-day stay in Miami, following a visit to the Institute of Contemporary Art in the Design District,…
#The Coming World: Ecology as the New Politics 2030–2100 GARAGE Museum of Contemporary Art / Moscow
Is it the elephant in the room or a non-issue that the Garage Museum is funded by fossil-fuel, given that…
#Jay Ezra Annex / Los Angeles
ANNEX is a newly opened showroom in Los Angeles dedicated to applied arts — a collaboration between Benjamin Trigano of…
#319 March – April 2018
FEATURES → ◯ Art Is Like a Vampire. Interview with Asad Raza by Maurizio Cattelan and Marta Papini ◯ To Be. The ever-malleable…
#Flash Art International no. 319 March – April 2018
We are pleased to announce that the March – April issue of Flash Art – International Edition is out now.…
#The Better Biennale
“Aperto ’93,” curated by Flash Art editor Helena Kontova and twelve other critics and curators active with the magazine, was…
#317 November – December 2017
COVER → This issue is dedicated to revisiting our history. It features texts and interviews that reassess key passages in recent…
#The Galapagos Syndrome Yokohama Triennale 2017
The statements of the three artistic directors of the “Yokohama Triennale 2017: Islands, Constellations & Galapagos,” which opens to the…
#Dorothy Iannone
Maurizio Cattelan: How old are you? Dorothy Iannone: Seventy-two. MC: What was the first thing you did that you consider…
#Cyprien Gaillard
The series of T-shirts in the style of bootleg concert tees portraying artists such as Maurizio Cattelan or Damien Hirst,…
#The Frankfurt Project
It seems to be the case today that conceptual programs for institutional exhibitions are increasingly driven by the dictates of…
#Matthew Monahan
Maurizio Cattelan: Hello Matthew? Is that you? The phone signal is very bad. Is this a good time for some…
#What’s after Italy?
After Arte Povera work in the early ’60s and mid ’70s by Anselmo, Boetti, Fabro, Kounellis, Mario and Marisa Merz,…
#Piotr Uklanski
Maurizio cattelan: The first exhibition… you had it in Denmark, right? Not in Denmark… so where did you have it?…