Flash Art #319 March – April 2018
FEATURES → ◯ Art Is Like a Vampire. Interview with Asad Raza by Maurizio Cattelan and Marta Papini ◯ To Be. The ever-malleable materials of Margaret Honda by Tenzing Barshee ◯ Piper’s Threat by Yaniya Lee ◯ The Logic of Modernism: How Greenberg Stole the Americans Away from a Tradition of Euroethnic Social Content by Adrian Piper (Originally published in Flash Art 168, Jan – Feb 1993) ◯ Of Visuality and the Politics of White Fear by Charles Gaines ◯ Self-Abstractions. Juan Antonio Olivares’s 3-D animation Moléculas, 2017 by Stephanie Seidel ◯ Material Soul. Photography and corporeality in the work of Josh Tonsfeldt by Thomas Duncan ◯ Savage Space. Anna Uddenberg’s heterotopic forms by David Andrew Tasman ◯ Inside Joke. The captivating and inscrutable sculptures of Michael E. Smith by Eli Diner
REVIEWS → ◯ Jesse Darling at Chapter NY, New York ◯ Kathe Burkhart at Mary Boone Gallery, New York ◯ Juliette Blightman and Ellie Epp at Western Front, Vancouver ◯ Shana Lutker at Susanne Vielmetter Projects, Los Angeles ◯ “Mechanisms” at CCA Wattis Institute for Contemporary Art, San Francisco ◯ Tunga at MASP, São Paulo; Peter Doig at Michael Werner, London ◯ Lydia Ourahmane at Chisenhale, London ◯ Ericka Beckman at KW Institute for Contemporary Art, Berlin ◯ Marianne Wex at Tanya Leighton Gallery, Berlin ◯ Albert Mertz at Croy Nielsen, Vienna ◯ Enzo Cucchi at Galerie Balice Hertling, Paris ◯ Tobias Spichtig at Malta Contemporary Art, Valletta ◯ Francesco Lo Savio at MART, Rovereto (Trento) ◯ “You’ve got 1234 Unread Messages” at Latvian National Museum of Art, Riga ◯ Francis Alÿs at Beirut Art Center, Beirut ◯ Mithu Sen at Chemould Prescott Road, Mumbai ◯ Nancy Lupo at Antenna Space, Shanghai