Ghost:2561 / Bangkok
Instead of wall text, the inaugural Ghost:2561 — a new video and performance triennial in Bangkok curated by New York–based…
Instead of wall text, the inaugural Ghost:2561 — a new video and performance triennial in Bangkok curated by New York–based…
Jesse Darling’s sculptures at Tate are injured. They are suffering. Bent aluminum mobility crutches buckle under their own weight; the…
In 2013, a mostly full audience at the Hammer Museum watched ITSOFOMO (In the Shadow of Forward Motion), David Wojnarowicz’s…
In Julien Ceccaldi’s comic Solito, published to accompany his solo institutional debut at Kölnischer Kunstverein, an androgynous thirty-year-old, jobless and…
Black spray paint collects gorgeously on the wall, constituting the curvaceous outline of an Ionic column. Reappearing throughout the basement…
Vasilis Papageorgiou’s latest project is the result of free associations and personal research around various aspects of urban leisure time…
Flash Art Books is pleased to announce States of tension, an English monograph on the work of Chinese artist Hu Xiaoyuan, featuring an essay by Nicolas Bourriaud and a…
We are pleased to announce that the November – January issue of Flash Art is now out. Bodily figuration features…
In May 1969 — one year after what can now be seen as the last great challenge to capitalism —…
“With You… Me,” Glenn Fogel’s exhibition at JTT in New York, opened on a dimly lit gallery interior. A suspended…
Dance Office is a column dedicated to contemporary dance and performance art. Unlike the typical, somewhat portentous activation of the…
The Popular Front was a reckless attempt to unite different political forces in the 1930s against the rise of fascism.…
The titles of Julia Rommel’s abstract paintings read like a trip down memory lane: Senior Year, Suburban Kids, and Rascals…
Trisha Baga’s “Mollusca & The Pelvic Floor” positions the viewer at a crossroads between virtual fantasy and scientific verification. Upon…
The institutionalization of “art from the regions” is, arguably, the main tendency in Russian cultural policy. If private capital has…
In 1971, military dictator Mobutu Sese Seko took control of Congo, renamed it Zaire, and campaigned for a vast cultural…