artgenève 2019
Upon ascending the escalator of the Palexpo complex, visitors to this edition of artgenève were greeted by a bright sea…
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Similarities and differences between legal issues in fashion and art
This week the buzz around the art world is all about Los Angeles. Frieze, the international art fair organization that…
Biennale de l’Image en Mouvement 2018 Centre d’Art Contemporain / Geneva
A few days before the opening of the Biennale de l’Image en Mouvement in Geneva in November 2018, I came…
Flash Art 324 February – March 2019
Deep currents of inheritance, nostalgia, presence, and nonlinear time buoy this issue of Flash Art, the first of 2019. Readers…
A Certain Inevitability
Movie Night is a column exploring film semiotics and thoughts about moviegoing in general. Oigo el llorido del mar, el…
Grace Wales Bonner: A Time for New Dreams Serpentine Galleries / London
The incursion of fashion designers into other creative realms frequently invokes dismissiveness or derision, especially when the designer is young.…
Caitlin Keogh The Approach / London
Fitting with the artist’s background in technical fashion drawing, Caitlin Keogh’s paintings are done in a delicious palette of mauve,…
Aria Dean Chateau Shatto / Los Angeles
Perhaps it is because you are on the tenth floor — high above the bustle, hot dog vendors, flashing toddler…
Notes from aboard the MS Trollfjord
For the second year in a row, the Hurtigruten cruise ship line has hosted Coast Contemporary, a four-day symposium and…
Forsythe's Immaculate Choreography
Dance Office is a column dedicated to contemporary dance and performance art. It’s fitting that American dancer, choreographer, and artist William…
12th Gwangju Biennale: Imagined Borders
It is no secret that art biennials are at an impasse, given the recurring and vaguely political frameworks associated with…
33rd Bienal de São Paulo: Affective Affinities
Not much info was made public in advance of the 33rd São Paulo Bienal’s opening. Gabriel Pérez-Barreiro was named chief…
After Leaving, Before Arriving: An interview with the curators of the 12th Kaunas Biennial
For its 12th edition, the Kaunas Biennial considers the journey as a metaphor in the context of the burgeoning cultural…
Urban Zellweger Kunstverein Nürnberg / Nuremberg
It is true: the grass is always greener on the other side. But the question remains: Just what is it,…
Terence Koh Office Baroque / Brussels
For his exhibition “Drummen” at Office Baroque, Terence Koh covered the floor of the gallery in soil, and placed eighty-eight…
Judson Dance Theater: The Work Is Never Done
Dance Office is a column dedicated to contemporary dance and performance art. “The source of life in any dancer is…