Episode X. Social Media and the Aesthetics of Identity Politics
“The Uncanny Valley” is Flash Art’s new digital column offering a window on the developing field of artificial intelligence and…
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The Cycle of Life through the Eyes of Doug Aitken: Saint Laurent, S/S 2022
The sky’s many color transitions at the Isola della Certosa in Venice are made even more complex via the mirrors…
Emeka Ogboh transforms Frankfurt’s city centre into a soundscape with his installation THIS TOO SHALL PASS
Emeka Ogboh THIS TOO SHALL PASS July 9–October 3, 2021 www.thistooshallpass.site Instagram / #thistooshallpass / #TTSP An in situ installation…
NEXTONES: the program of this year's edition of the festival
In 2019 NEXTONES invited artists such as Amnesia Scanner AV live, Drew McDowall & Florence To “Time Machines” AV live, Laurel Halo,…
The Listening Biennial, a global project about the experiences of listening
The Listening Biennial July 15–August 1, 2021 listeningbiennial.net Facebook Participating institutions, organizations, and collectives: 1983, Hong Kong; aerial, Bergen; AMEE,…
Christina Quarles MCA / Chicago
Los Angeles–based artist Christina Quarles (American, b. 1985) paints bodies that are subjected not only to the weight and gravity…
Olga Balema “Computer” Camden Art Centre / London
All for the little nature of water lilies, Claude Monet developed a portion of land and diverted a narrow arm…
Video as Public Space #4: TikTok, from the Image to the Voice
“Public Art 2666” is a column that seeks to explore the interaction between the public domain and contemporary artistic practices,…
Yu Ji "Wasted Mud" Chisenhale Gallery / London
Chisenhale Gallery presents Wasted Mud, the first solo exhibition in a UK institution by Shanghai-based artist Yu Ji. Comprising sculpture,…
Serpentine Galleries presents Future Art Ecosystems: potential paths for the future of the cultural sector
Future Art Ecosystems: Art x Metaverse (FAE2) and Legal Lab Report 1: Art + Tech/Science Collaborations. Two reports that outline…
Night Cubes: Revisiting UK Sound Art’s Popular and Club Histories
“Listening In” is a column dedicated to sound, music, and listening practices in contemporary art and its spaces. This section…
Alice Neel “People Come First” The Met Museum / New York
The exhibition “Alice Neel: People Come First” at the Metropolitan Museum of Art is the first New York museum retrospective…
Ololyga: Madison Bycroft’s Soliloquies on Disorientation and the Theatricality of Water
Dance Office is a column dedicated to contemporary dance and performance art. Madison Bycroft, Uncommitted Barnacle, 2021. Part 2. “Front…
“Hartung 80” and “Rothko – Hartung, a multiform friendship" Perrotin / Paris
“Hartung 80” is the third exhibition that Perrotin has devoted to Hans Hartung — following those held in New York…
BOYCOTT, DIVESTMENT, SANCTIONS: A Letter Against Apartheid
A monthly review of global art news from an admittedly fallible viewpoint. Rosalind Nashashibi, Dahiet Al Bareed, District of the…
(In)Visible Hands: An Introduction
Global Art Market News, Commentaries, and Critiques. A Column by Stefano Baia Curioni What is the art market? How is…