Staying Home
Daniel Aguilar Ruvalcaba has no passport. He is a young, Mexican artist with prophetic — almost guru-like — intentions. He…
There and Back Again
The Temptation of the Center
Art history exists as a set of critical relationships to what has been created in the past, and to what…
A Letter from a Creative Carpetbagger in Mexico City
Three weeks ago, Rubén Espinosa, a young journalist who had fled Veracruz after being threaten for revealing important facts about…
Transparency Aesthetics
“You have to write your own Relational Aesthetics,” Renaud Jerez told me earlier today during a phone conversation about the…
Where is the Mass Grave?
Originally published in Flash Art International no. 301 March – April 2015. The guest country at the ARCO art fair…
Mexico, Reloaded
Based between Mexico and Berlin for almost ten years, Mariana Castillo Deball knows a lot about back and forth. It…