“Kingdom of the Ill” Museion / Bolzano
Illness is life-adjacent, a consensus we ought to have reached during the pandemic. Regardless, as Susan Sontag argued, illness is…
Illness is life-adjacent, a consensus we ought to have reached during the pandemic. Regardless, as Susan Sontag argued, illness is…
On high ground overlooking Paris, poet Alice Notley reads the words, “I stand here in whose eyes / the name…
The exhibition “Make Room” opens with a work titled Hysteria (2022) — featuring a cubist-faced figure wearing a striped-and-polka-dotted dress…
Talk about overproduction. With “What Do People Do All Day” and “Boulevard of Crime” Simon Dybbroe Møller doubles down and…
Highlighting the ubiquitous use of game-engine technologies in contemporary media and information systems, Modal Gallery’s inaugural exhibition “Slip.Stream.Slip” offers an…
I have already had occasion to write a few words about Judith Hopf’s double exhibition “Energies” in my round up…
The feeling is diffuse. One has the impression of entering a space in the middle of an exhibition setup. There…
Even before entering her show, one perceives the importance the artist gives to the details that surround it: a sign…
Like coexisting layers of history, the works of Austin Martin White superimpose figure, ground, and ghostly apparitions. In the lofty…
Even in description there is a kind of consumption; it is, in part, an inevitable fate for a review: to…
It is hard not to draw connections between the sense of confusion, claustrophobia, and scarcity created by two Sturtevant (1924–2014)…
When I spoke with Bianca Hlywa on Zoom for the first time, I had not yet seen her exhibition “Residual…
“There’s a lot of reciprocity between my lived life and my painting life,” Danielle Orchard notes, surveying her canvases at…
Ooh, we know some bad words, don’t we? We don’t get to know exactly which bad words the artist is…
For Marie Cool Fabio Balducci, the exhibition is a test. When they mount an exhibition in the institutional spaces of…
“Please accommodate and excuse the mess,” whispers Anna Franceschini in the heart of Paris, referring to the back cover of…