Tamayo's Reopening
Rita Gonzalez: Will you talk a little about the process involved in the construction and re-opening of Tamayo? How will…
Magazine Articles
In and Out
In the recent history of Mexico, 1994 was a seminal year. On January 1 the North American Free Trade Agreement…
Cool School
From Flash Art International no. 159, 1991 Jerry Saltz: In the last shows I’ve seen of yours there were landscapes…
Art is Not Enough
Olivier Zahm: You arrived in New York eleven years ago. What would you say to a young artist coming to New…
The State of America
Our world has become bigger than ever: as parts of Asia, South America and Africa more fully emerge on the…
All Clothes Model's Own
A project by K8 Hardy
Crimea/Kids
Fashion is the Weather
Nicolas Ghesquière’s work at Balenciaga was first presented to me on the YouTube stage. I was face to face with…
The Most Beautiful Animal
From Flash Art International, No. 179, November – December 1994 Sylvie Fleury: Do you think there is any similarity between…
SKX007 / SKX009
Sonic
High Art
David Lieske: Zoe, you just moved to California, while Mike, you remain based in New York. How does this bicoastal…
Oliver Beer
Christine Macel: Over the last two years you have had many shows and performances — among others, at MAC Lyon; MoMA…
Mashrou' Leila
I learned of the Lebanese band Mashrou’ Leila during the very first evening of my first visit to Beirut. Caught…
Allan Sekula
Allan Sekula was long devoted to contemplating the open sea. Turbulent and wild, water can buoy a new global political…