The Most Beautiful Animal
From Flash Art International, No. 179, November – December 1994 Sylvie Fleury: Do you think there is any similarity between…
Magazine Articles
SKX007 / SKX009
Sonic
High Art
David Lieske: Zoe, you just moved to California, while Mike, you remain based in New York. How does this bicoastal…
Oliver Beer
Christine Macel: Over the last two years you have had many shows and performances — among others, at MAC Lyon; MoMA…
Mashrou' Leila
I learned of the Lebanese band Mashrou’ Leila during the very first evening of my first visit to Beirut. Caught…
Allan Sekula
Allan Sekula was long devoted to contemplating the open sea. Turbulent and wild, water can buoy a new global political…
NYC 1993: Experimental
Jet Set, Trash and No Star
Some exhibitions conjure a mental soundtrack. The New Museum’s survey of art made twenty years ago, “NYC 1993,” includes one…
Candice Lin
Patrick Steffen: I think of you as wild and prolific. Candice Lin: Wildness, or “going gaga” (to use a relevant…
The Strenght to See
Philosopher Gilles Deleuze heeded the visionary philosophers — those he saw as seers — and considered Spinoza a vivant voyant…
Neutral Territory
Hong Kong’s art scene now includes several prominent international figures who have recently expanded both their business and worldview. Gagosian,…
A Man with Influence
Yongwoo Lee: I would like to start by talking about how we both understand contemporary art as a response to…
The Forensic Evidence of Failure
Maurizio Cattelan: Your first solo exhibition in New York, at Ramiken Crucible in 2010, was titled “The Management of Barbarism.” What…
Rashid Johnson. A Post-Black-Power Child
We stand in solidarity with all black communities around the world. In the past years, Flash Art has been inviting various artists, thinkers and writers to rewrite or rethink the idea of blackness. Our “Editors Choice” does not aim to dictate an exhaustive or comprehensive list of writings but is an act of solidarity, which aims to contribute to the distribution of art thinking on blackness, and a way in which we can support the movement. Good reading!
Galettene: Cake or Sex or All Three
Artists who work together benefit from the creation of the semi-autonomous grouping. Coming together creates some ability to counter the…
Daniel Lelong
Donatien Grau: You started working in the context of the Galerie Maeght. What were your first steps in the gallery…