Lee Mingwei & Charwei Tsai
Ephemeral implies that which is brief, transitory and short-lived. One experiences it in various forms on a daily basis, from…
Magazine Articles
Ronald Ventura
Lucy Rees: Your recent exhibition “Fiesta Carnival” at Primo Marella Gallery in Milan explores concepts of transgression and border dissolution.…
Bharti Kher
To experience Bharti Kher’s work is to enter a labyrinth of complex questions based on cultural misinterpretation, social structures and…
Ziad Antar
Christine Macel: You started with short, single-shot videos such as Tokyo Tonight (2003), in which a Lebanese shepherd comes from…
Uli Sigg
Bharti Lalwani: When did negotiations with M+ begin? What was the criteria for the selection of works? Uli Sigg: Around two…
The Bikini Effect
According to many renowned local contemporary artists, Eastern Europe appears to be a rust zone filled with paint-striped concrete blocs, a…
Asia at a Glance
Flash Art Asia delves into the Asian contemporary art phenomenon that has exploded on the international art scene. In its…
Liam Gillick
Florence Bonnefous: What is your name? Liam Gillick: When I was growing up in the North London suburbs it was the…
Robert Irwin
Robin Clark: Let’s start by talking about a critical shift in your work, a transition from the gestural, textured paintings that…
Asian Insider: Behind the Art Stage Controversy
For its 2013 edition, Art Stage Singapore will launch a 1,000-square-meter Indonesian Pavilion in direct collaboration with 30 Indonesian artists1,…
Rosamund Felsen
Donatien Grau: You previously worked at Gemini G.E.L. and then at the Pasadena Art Museum. Could you tell me about these…
Says the Specialist
1. Why is the auction market for contemporary art continuing to grow? 2. Stratospheric auction results for works by…
Liquid Hells
German artist Anne Imhof recently staged a series of performances entitled School of the Seven Bells (SOTSB) at Portikus in…
Once We Were Human
There are no words on Xen. Occasionally, there’s an utterance, a fractured kind of cocky holler in its title track,…
Communication is the Enemy
Maurizio Cattelan: Are you comfortable making videos that are pretty borderline, morally? Neïl Beloufa: I create representations of the world,…
A Salon History of Appropriation
From Flash Art International no. 143, 1988 Leo Castelli: Let’s pinpoint not my vague awareness of your existence or the…