Domino Effect
Adriana Lara’s work unfolds an eternal, diachronic present in which concepts and positions constantly echo and redefine each other. The…
Adriana Lara’s work unfolds an eternal, diachronic present in which concepts and positions constantly echo and redefine each other. The…
Donatien Grau: At the very beginning you wanted to be a writer. What led you to open a gallery? Dan Graham:…
Patricia Martín: Where did your philanthropic vocation come from? Eugenio López: It came slowly; mostly, I discovered it and learned it…
Rita Gonzalez: Will you talk a little about the process involved in the construction and re-opening of Tamayo? How will…
In the recent history of Mexico, 1994 was a seminal year. On January 1 the North American Free Trade Agreement…
From Flash Art International no. 159, 1991 Jerry Saltz: In the last shows I’ve seen of yours there were landscapes…
Olivier Zahm: You arrived in New York eleven years ago. What would you say to a young artist coming to New…
Our world has become bigger than ever: as parts of Asia, South America and Africa more fully emerge on the…
Nicolas Ghesquière’s work at Balenciaga was first presented to me on the YouTube stage. I was face to face with…
From Flash Art International, No. 179, November – December 1994 Sylvie Fleury: Do you think there is any similarity between…
David Lieske: Zoe, you just moved to California, while Mike, you remain based in New York. How does this bicoastal…