Domino Effect
Adriana Lara’s work unfolds an eternal, diachronic present in which concepts and positions constantly echo and redefine each other. The…
Magazine Articles
Dan Graham
Donatien Grau: At the very beginning you wanted to be a writer. What led you to open a gallery? Dan Graham:…
Ten Years after the Turmoil
Patricia Martín: Where did your philanthropic vocation come from? Eugenio López: It came slowly; mostly, I discovered it and learned it…
Tamayo's Reopening
Rita Gonzalez: Will you talk a little about the process involved in the construction and re-opening of Tamayo? How will…
In and Out
In the recent history of Mexico, 1994 was a seminal year. On January 1 the North American Free Trade Agreement…
Cool School
From Flash Art International no. 159, 1991 Jerry Saltz: In the last shows I’ve seen of yours there were landscapes…
Art is Not Enough
Olivier Zahm: You arrived in New York eleven years ago. What would you say to a young artist coming to New…
The State of America
Our world has become bigger than ever: as parts of Asia, South America and Africa more fully emerge on the…
All Clothes Model's Own
A project by K8 Hardy
Crimea/Kids
Fashion is the Weather
Nicolas Ghesquière’s work at Balenciaga was first presented to me on the YouTube stage. I was face to face with…
The Most Beautiful Animal
From Flash Art International, No. 179, November – December 1994 Sylvie Fleury: Do you think there is any similarity between…
SKX007 / SKX009
Sonic
High Art
David Lieske: Zoe, you just moved to California, while Mike, you remain based in New York. How does this bicoastal…